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For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.
The J. Lloyd Eaton Conferences on Science Fiction and Fantasy Literature--long held at the University of California, Riverside--have been a major influence in the study of science fiction and fantasy for thirty years. The conferences have attracted leading scholars whose papers are published in Eaton volumes found in university libraries throughout the world. This collection brings together 22 of the best papers--most with new afterwords by the authors--presented in chronological order to show how science fiction and fantasy criticism has evolved since 1979.
"Reflection on the faith of the church means an involvement in doctrine, in church teaching which is considered to be correct," writes the author in his prolegomena. And the following 17 chapters of his book provide students and laypersons with precisely the information they need for this kind of reflection and involvement. The Faith of the Church is a basic, comprehensive, and systematic history of the beliefs of the church, starting with the doctrines formulated by ancient Israel and ending with a discussion of the doctrine of eschatology. Each doctrine is treated in that period in history when it received its most significant attention. In addition, the author attempts to give each doctrine what he terms "a normative rounding-off" either in the position of the theologian being discussed, in squaring the doctrine with Scripture, or both. Technical terms and foreign languages have been avoided to render this textbook accessible to an undergraduate and general lay readership.
First United Methodist Church in Augusta, Georgia, gives concerts to raise money for local service organizations. Trinity Lutheran Church in Mission, Kansas, has been sponsoring a religious art show for more than twenty-five years. Fellowship Lutheran Church runs a Christian arts camp for young people every summer. These are just three of the eighteen case studies of practicing arts ministries in this book, in which Michael Bauer encourages the nurture and support of all the creative gifts of God's people. Bauer lays a solid foundation for arts ministry, grounding it in the historic Christian tradition and urging churches to expand their engagement with the creative arts -- "to live and worship in full color," as he puts it. A concluding chapter clearly lays out how to develop an arts ministry, helping readers to take these ideas from theory to practice, to embrace and celebrate the continuing creative activity of God in the church.
Sensing Sacred is an edited volume that explores the critical intersection of “religion” and “body” through the religious lens of practical theology, with an emphasis on sensation as the embodied means in which human beings know themselves, others, and the divine in the world. The manuscript argues that all human interaction and practice, including religious praxis, engages “body” through at least one of the human senses (touch, smell, hearing, taste, sight, kinestics/proprioception). Unfortunately, body—and, more specifically and ironically, sensation—is eclipsed in contemporary academic scholarship that is inherently bent toward the realm of theory and ideas. This is unfort...
This volume examines the development of film and the film industry during the 1970s and the political and economic background that influenced it.
A photo-series made up of 65 works which explore how lost and forgotten objects have a tendency to then re-appear in specific places, taking on a life of their own. Backhaus has succeeded in capturing motifs that exude both a sense of the enigmatic and the sublime. The readers gaze is tranfixed as they unravel the mystery of what makes these banal objects hold such intrigue. Reminiscent of still-lifes and yet accidental in their compostion, Backhaus turns the arbitary and organic into palpable frames.