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Jessica Backhaus
In her last publication Trilogy (Kehrer), Jessica Backhaus has taken a path into abstraction, which is consistently continued here - with analog, photographic methods. Cut out transparent paper reacts to the heat of intense sunlight, deforms, rises, and casts shadows. The photographer who arranged and staged these compositions becomes an astonished observer of events on which she has only limited influence, the documentarist of a visual experimental arrangement, a poetic choreography of intense colors in the sunlight. This artist book is published in an edition of 750 signed copies.
What Still Remains
A photo-series made up of 65 works which explore how lost and forgotten objects have a tendency to then re-appear in specific places, taking on a life of their own. Backhaus has succeeded in capturing motifs that exude both a sense of the enigmatic and the sublime. The readers gaze is tranfixed as they unravel the mystery of what makes these banal objects hold such intrigue. Reminiscent of still-lifes and yet accidental in their compostion, Backhaus turns the arbitary and organic into palpable frames.
Jessica Backhaus
Intriguing photographs capturing reflections on the surface of rivers and lakes
Dr. Paul Wolff
First comprehensive publication about the German pioneer of Leica photography
Minkkinen
A monograph comprising 50 years of works by the acclaimed Finnish-American photographer, this edition includes many never-before-published works.
Telling Tales
Published on the occasion of an exhibition held at the McNay Art Museum, San Antonio, Texas, September 28, 2016-January 8, 2017.
Eleven Years
In this body of work, Jen Davis deal with insecurities about her own body image and the direct correlation between self-perception and the way one is perceived by others. Photography is the medium that Davis uses to tell her own story through life, an outlet for revealing her thoughts and opinions about the society in which we live. In these photographs Davis aims to raise questions regarding beauty, desire, body image, and identity through a focused observation of her own personal story.
Mark Neville
Fancy Pictures brings together seven of Mark Neville's socially engaged and intensely immersive projects from the last decade. Neville often pictures working communities in a collaborative process intended to be of direct, practical benefit to his subjects. The Port Glasgow Book Project (2004) is a book of his social documentary images of the Scottish town. Never commercially available, copies were given directly to all 8,000 residents. Deeds Not Words (2011) focuses on Corby, an English town that suffered serious industrial pollution. Neville produced a book to be given free to the environmental health services department of each of the 433 local councils in the UK. Battle Against Stigma and Helmand are both projects resulting from Neville's time in Afghanistan. Two projects for the USA are also included. Invited by the Andy Warhol Museum in 2012, Neville examined social divisions in Pittsburgh, and the photo-essay Here is London, commissioned by The New York Times Magazine, echoes the style of the celebrated photographers who documented the boom and bust of the 1970s and '80s.
29 Palms, CA
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Thomas Struth
Mundane buildings, nondescript streets, anonymous facades--these are the features that first strike in viewing Thomas Struth's pictures of streets--"unconscious places". Both in black-and-white and in color, Struth uses a frontal, eye-height view, with no optical distortion to disrupt the impression that what we see is a neutral, objective recording of reality. At the same time, Struth's urban landscapes are also a critical depiction of different human habitats. This volume presents a comprehensive survey of Struth's street views from the 1970s to 2010: narrow lanes in Edinburgh, Wuhan, Naples, and Erfurt; satellite towns in Paris, Leverkusen, Chicago, and Pyongyang; thoroughfares in Brussels, Lima, and Los Angeles; grand boulevards in St. Petersburg, New York City, and Beijing. Frequently there is an almost total absence of people in his cityscapes, which provides a feeling of desolation. In contrast, his famous Shibuya Crossing, Tokyo, is bustling with people and billboards.
