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Some time in the 1840s, Narcisse, a young French sailor is abandoned on the coast of Australia and given up for dead by his shipmates. Seventeen years later he is found living among aboriginal peoples, having apparently forgotten everything of his original identity, including his native French language. Octave de Vallombrun, a well-meaning geographer, takes him under his wing and sets out to bring Narcisse, now known as the "white savage" back to civilisation and to find out what happened during those seventeen years.Observing Narcisse's struggle to adjust to the ways of the white man, Octave too begins to question his assumptions about what it means to be civilised, and to see in a new light the man known as the "white savage".
Om postmodernismen og en videreudvikling af forfatterens teorier med eksempler fra filosofi og malerkunst
Jean-François Lyotard is one of the most celebrated proponents of what has become known as the 'postmodern'. More than almost any other contemporary theorist, he has explored the relations between knowledge, art, politics and history, in ways that offer radical new possibilities for thinking about modern culture. Simon Malpas introduces students to issues at the heart of Lyotard's work, including *modernity and the postmodern *the sublime *ethics *history and representation *art and the unpresentable *knowledge, the university and the future. Lyotard's work is impossible to dismiss or ignore for anybody who is serious about contemporary literature and culture, and this guide provides the ideal companion to the wide variety of his critical texts.
The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscri...
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From the RHS comes this celebration of the garden, spanning the centuries and the globe. From the Garden of Eden to small backyards, from scented memories to bonfires and neighbours' rights, from suggestive slugs to paranoid palm-house gardeners, the poems burst out in a biodiversity of fun, exotic beauty and earthy philosophy. There's something for everyone, with a glorious array of gardening classics, perennial favourites and more recent contributions from Dorothy Parker, Sylvia Plath and John Agard. Each poem is illustrated with a botanical print, a hand-coloured or black and white engraving, or a watercolour drawing - all from the remarkable collection of botanical art at the Royal Horticultural Society's Lindley Library, acknowledged as the world's finest horticultural library. Together they create a colourful collection to invigorate gardening enthusiasts, delight landscape-lovers and inspire armchair gardeners everywhere.