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First multi-year cumulation covers six years: 1965-70.
This book has been a market leader in its field for many years, in part because it provides both a fundamental overview of the field of clinical laboratory science and a discipline-by-discipline approach to each of the clinical lab science areas. Key features in this edition include: expanded art program, Glossary, Review Questions, Case Studies, Chapter Outlines, easy-to-read format, Learning Objectives to reflect taxonomy levels of CLT/MLT and CLS/MT exams, and coverage of both clinical and theoretical information.
Principles of Hematology is designed specifically with the concept of balance in mind. Written for the undergraduate market, this text is a solid introduction to hematology. Most other texts deluge the student with overly technical language or lack relevant, clear information. With a logical writing style that is specific and to the point, Principles of Hematology provides an excellent balance of detail and technicality, without overwhelming the student. Using a medical illustration style, this text combines 300 high-quality images into a book that is up to 150 pages shorter and more accessible than other hematology texts. Your students will be more willing to bring this text to class and your course needs will be met by this concise, balanced text.
Standard short work on anatomy and physiology for midwifery students and practising midwives.
This urinalysis text gives instruction on the analysis of urine and other body fluids. It covers clinical laboratory procedure, safety and quality assurance. Case studies and self-assessment questions are presented, as well as a colour atlas of slide preparations commonly encountered in analysis.
Feces, urine, flatus, phlegm, vomitus - unlike ourselves, our most educated forebears did not disdain these functions, and, further, they employed scatological references in all manner of works. This collection of essays was provoked by what its editors considered to be a curious lacuna: the relative academic neglect of the copious and ubiquitous scatological rhetoric of Early Modern Europe, here broadly defined as the representation of the process and product of elimination of the body's waste products. The contributors to this volume examine the many forms and functions of scatology as literary and artistic trope, and reconsider this last taboo in the context of Early Modern European expression. They address unflinchingly both the objective reality of the scatological as part and parcel of material culture - inescapably a much larger part, a much heavier parcel then than now - and the subjective experience of that reality among contemporaries.