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The Body in the Text highlights the importance of the body in language and narrative and its impact on meaning and signification. Evi Voyiatzaki's insightful work reveals the highly metaphoric and symbolic texture of James Joyce's Ulysses, which, the author contends, resembles the organization of a living organism. The book examines how the living meaning of the word in Joyce's texts has inspired the work of three avant-garde Greek writers: Nikos Gavrlil Pentzikis, Stelios Xefloudas, and Giorgos Cheimonas. A valuable comparison between Joyce's work and modern Greek literature, The Body in the Text's comparative exploration of the body's functions within literary discourse offers new insight into language's metaphoricity and the physiology of writing.
A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
In his book Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (2007), Fredric Jameson analyzes the multiple components of utopia and the possibility of achieving utopia in the near future. As this book argues, however, human civilization will never achieve utopia unless humans reach a state of pure consciousness in which they will use their full mental potential and avoid making blunders in life that would undermine the possibility of a utopia. This book develops a non-teleological, comparative poetics between Western and Sanskrit literary traditions by analyzing their opposing theories of language, consciousness and meaning. This comparison seeks to demonstrat...
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Joyce and Jung offers a provocatively original chapter-by-chapter analysis of Stephen Dedalus' psychosexual growth in A Portrait of the Artist as a Young Man. The author frames this within the Jungian soul-portrait gallery known as the «four stages of eroticism» in which Eve, Helen, Mary, and Sophia are the soul-portraits of Western civilization, drawing the collective eros into the psychic field to be witnessed as universal spectacle. In James Joyce's twentieth-century classic, Stephen's soul-portraits are the mother, the prostitute, the Virgin Mary, and the Bird-Girl.
In 1904, having known each other for only three months, a young woman named Nora Barnacle and a not yet famous writer named James Joyce left Ireland together for Europe -- unwed. So began a deep and complex partnership, and eventually a marriage, which endured for thirty-seven years. This is the true story of Nora, the woman who, transformed by Joyce's imagination, became Molly Bloom, arguably the most famous female character in twentieth-century literature. It is also the story of Ireland, a social history encapsulated in the vivid recreation of Joyce and his small Irish entourage abroad. Ultimately it is the portrait of a relationship -- of Nora's complicated, committed, and at times shocking relationship with a hardworking, hard drinking genius and with his work. In NORA: THE REAL LIFE OF MOLLY BLOOM, the award-winning biographer Brenda Maddox has given us a powerful new lens through which to see both James Joyce and the woman who was in turn his inspiration and his salvation.
Blends history and memoir in an account that in alternating chapters explores the author's quest to understand the impact of his brothers on his life and the complex relationships between iconic brothers, including the Thoreaus, the Van Goghs, and the Marxes.
Taking his cue from the French philosopher Gaston Bachelard, he postulates that any writer's epiphany pattern usually shows characteristic elements (earth, air, fire, water), patterns of motion (pendular, eruptive, trembling), and/or geometric shapes.
John Smith was a resident of Barnstable, Massachusetts in 1640 and a brother-in-law to Governor Thomas Hinckley, having married Susannah Hinckley, the governor's sister. They had thirteen children born between April 1644 and Dec. 1667: Samuel, Sarah, Ebenezer, Mary, Dorcas, John (died within two days of birth), Shubael, John, Benjamin, Ichabod, Elizabeth, Thomas and Joseph.