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A life-affirming, humorous show of songs and monologues drawing on real-life experiences, about the one thing we all have in common: we're gonna die. You may be miserable, but you won't be alone. Witty, wise and honest, We're Gonna Die narrates Lee's experiences of loneliness and the comfort she found in simple and unexpected things following the death of her father. This book includes a CD of all six songs (performed by Young Jean Lee with her band Future Wife) and eight monologues (performed by Laurie Anderson, David Byrne, Kathleen Hanna, Adam Horovitz, Matmos's Drew Daniel, and Martin Schmidt, Sarah Neufeld, and Colin Stetson).
A fictionalized biography of the mathematician and astronomer who realized his childhood desire to become a ship's captain and authored The American Practical Navigator.
“Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides (Pullman, WA) and the Romantic poets (The Appeal). Now she piles her deconstructive scorn upon ethnic stereotypes in Songs of the Dragons Flying to Heaven, a sweet-and-sour parade of Asian minstrelsy.”—Time Out New York “A perverse, provocative, and very funny festival of racism . . . Songs offers not only chauvinistic monologues and ass-slapping Korean dances, but also a rigorous exploration of art-making and its associated terrors.”—The Village Voice “Have you ever noticed how most Asian Americans are slightly brain-damaged from having grown up with A...
Two compassionately subversive plays about identity, by Young Jean Lee, a Korean American playwright whose work is groundbreaking, humorous and often thrillingly transgressive. In Straight White Men, it's Christmas Eve, and Ed has gathered his three adult sons to celebrate with matching pyjamas, trash-talking, and Chinese takeaway. But when a question they can't answer interrupts their seasonal cheer, they are forced to confront their own identities. Raucous, surprising and fearless, Straight White Men takes an outside look at the traditional father/son narrative, shedding new light on a story we think we know all too well. It had its UK premiere at Southwark Playhouse, London, in 2021, foll...
'Powerful . . . A twisting tale of love, loss, and dark family secrets' Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train and Into the Water It begins with a mystery. Sylvie, the beautiful, brilliant, successful older daughter of the Lee family, flies to the Netherlands for one final visit with her dying grandmother - and then vanishes. Amy, the sheltered baby of the Lee family, is too young to remember a time when her parents were newly immigrated and too poor to keep Sylvie. Seven years older, Sylvie was raised by a distant relative in a faraway, foreign place, and didn't rejoin her family in America until age nine. Timid and shy, Amy has always looked up to her ...
In 1951, Jean Lee was Australia's last woman hanged. Award-winning poet Jordie Albiston's acclaimed verse novel puts this woman's tragic story within the context of her times.'As one might expect, it is a grim, tough story of the deterioration of a young woman's life and its brutal end. It is divided into four sections with deliberately cold-hearted titles: Personal Pages, Entertainment Section, Crime Supplement and Death Notices. The Hanging of Jean Lee is economically and imaginatively conceived with a strong narrative drive. In a series of short connected poems, Jordie Albiston has made a heart-breaker out of her material, ringing the verse changes, using rhyme and blank verse in short ch...
“A subversive, seriously funny new theater piece by the adventurous playwright Young Jean Lee. . . . Ms. Lee does not shy away from prodding the audience’s racial sensitivities—or insensitivities—in a style that is sometimes sly and subtle, sometimes as blunt as a poke in the eye.”—Charles Isherwood, The New York Times “Lee is a facetious provocateur; she does whatever she can to get under our skins—with laughs and with raw, brutal talk . . . [and with] so ingenious a twist, such a radical bit of theatrical smoke and mirrors, that we are forced to confront our own preconceived notions of race.”—Hilton Als, The New Yorker With The Shipment, her latest work taking on identi...
Winner of the 2023 National Book Critics Circle Award for Criticism Winner of the 2023 ASAP Book Prize, given by the Association for the Study of the Arts of the Present Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening...
Acclaimed playwright and director Young Jean Lee transforms her life-long struggle with Christianity into an exuberant church service. Both celebratory and confrontational, CHURCH will test the expectations of religious and non-religious alike—looking deep into why we believe what we believe.
When Ed and his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can’t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man?