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The Weekly Poem has been primarily designed with teachers and students of poetry in mind. It contains exercises using 52 different concepts and forms, all of which have been developed to inspire and expand poetic practice. Each exercise is accompanied by one or more poems - sourced from around the world, with a main focus on Australia - which provide guidance, depth and an invigorating sense of possibility. The Weekly Poem represents an invaluable resource for all poets - emerging or established - and may be of benefit both in the classroom or at the private desk. It's such a blessed relief to have some little formal problem to work out, so you don't have to think about the earthshattering importance of what you are going to say. - Howard Nemerov Limitation makes for power... - Richard Wilbur
Poetry Collection
In 1951, Jean Lee was Australia's last woman hanged. Award-winning poet Jordie Albiston's acclaimed verse novel puts this woman's tragic story within the context of her times.'As one might expect, it is a grim, tough story of the deterioration of a young woman's life and its brutal end. It is divided into four sections with deliberately cold-hearted titles: Personal Pages, Entertainment Section, Crime Supplement and Death Notices. The Hanging of Jean Lee is economically and imaginatively conceived with a strong narrative drive. In a series of short connected poems, Jordie Albiston has made a heart-breaker out of her material, ringing the verse changes, using rhyme and blank verse in short ch...
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The letter 'm' is emblematic of recurrence and precipitousness in these poems. They emerge with the wantonness of sensations in everyday life. In this case three lives: maternal grandmother, paternal great-great grandmother and the poet. Jordie Albiston, with characteristic delicacy and zest, limns these very different women as perspectives to each other. Recurrence is intrinsic to sonnets. They are patterned internally, and are often paroxysmal: a perfect form and formation for poems which worry the distinction between the fatal and the banal. The sequence tells what happens when you admit the existential into everyday life, in small or large doses. The results can be desolate, or sublime. And comedic as well: Albiston knows how to play between darkness and send-up, when it comes to an arduous and animating tension between body and mind. The sonnet according to 'm' was awarded the 2010 Kenneth Slessor Prize in the NSW Premier's Literary Awards. It was also shortlisted for the 2010 Judith Wright Poetry Prize in the A.C.T Awards.
Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington have gathered a broad and representative selection of the best Australian prose poems written over the last fifty years. The Anthology of Australian Prose Poetryin cludes numerous distinguished prose poets; Jordie Albiston, Joanne burns, Gary Catalano, Anna Couani, Alex Skovron, Samuel Wagan Watson, Ania Walwicz and many more; and documents prose poetry's growing appeal over recent decades, from the poetic margins to the mainstream. This collection reframes our understanding not only of this dynamic poetic form, but of Australian poetry as a whole.
"I hold her teahouse poems more gently than I do most in my hands." - Kathy Kituai, award-winning tanka poet and diarist "Exquisite and glorious" - Lizz Murphy, award-winning poet and poetry performer "Perfectly poised work. A remarkable book." - Peter O'Mara, artist and poet "A lovely production, perfectly suited to your spare, elegant poems." - Chris Mansell, poet, teacher and poetry publisher "A much needed story of old age told by a master poet." - Dorothy Bysouth The Tea House Poems is the latest collection of poetry from Venie Holmgren.
In this centenary year of the end of Word War I, here is a collection of poems redacted from letters written by Victorian soldiers during WWI. These poems were researched and written under a State Library of Victoria Creative Fellowship (2016-17). The collection is a kind of literary mosaic of individual experiences on the way to, from, or at the Front, with correspondents ranging from the Officer, Chaplain and Flying Ace to the humble (and often semi-literate) Private, Gunner and Sapper. Each poem is titled for its particular soldier and is based on one or more missives penned by that individual.
This book explores the vital role of the imagination in today's complex climates--cultural, environmental, political, racial, religious, spiritual, intellectual, etc. It asks: What contribution do the arts make in a world facing the impacts of globalism, climate change, pandemics, and losses of culture? What wisdom and insight, and orientation for birthing hope and action in the world, do the arts offer to religious faith and to theological reflection? These essays, poems, and short reflections--written by art practitioners and academics from a diversity of cultures and religious traditions--demonstrate the complex cross-cultural nature of this conversation, examining critical questions in dialogue with various art forms and practices, and offering a way of understanding how the human imagination is formed, sustained, employed, and expanded. Marked by beauty and wonder, as well as incisive critique, it is a unique collection that brings unexpected voices into a global conversation about imagining human futures.
In these thirty-five interviews with verse novelists from Australia and Aotearoa–New Zealand, Linda Weste explores the uniqueness of storytelling through poetry and the genre of the verse novel. Her subjects are notable representatives of a region where verse novels for Adults, Children and Young Adults thrive; among them is Steven Herrick, winner of the prestigious Deutscher Jugendliteraturpreis in 2019; and what they have to say enriches our understanding of the verse novel across each of its publishing categories.