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Architecture and the Historical Imagination
Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.
The Organ
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Patroness of Paris: Rituals of Devotion in Early Modern France
The book examines the cult of Sainte Geneviève, patron saint of Paris. Using hagiographic and liturgical documents, as well as municipal, ecclesiastical, and notarial records, it analyzes the religious, political, and social contexts of public devotion in the early modern city.
Cavaillé-Coll and the French Romantic Tradition
"Organists, scholars of the organ and its music, and listeners who love French romantic organ music will all welcome this definitive account of the early career of Aristide Cavaille-Coll, the greatest organ builder of nineteenth-century France. Based on the author's earlier Cavaille-Coll and the Musicians, this book describes Cavaille-Coll's relationships with Cesar Franck and such other contemporary composer/organists as Lefebure-Wely, Danjou, and Lemmens. Fenner Douglass draws on previously unavailable primary archives to highlight the projects that were pivotal to Cavaille-Coll's success, among them the magnificent instruments he designed and installed in St.-Denis, La Madeleine, St.-Vinc...
Ephemeral Bodies
The critical history of wax is fraught with gaps and controversies. These eight essays explore wax reproductions of the body or body parts throughout history, and assess their conceptual ambiguity, material impermanence, and implications for the history of western art.
Organists and Organ Playing in Nineteenth-Century France and Belgium
The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.
Writing Sounds in Carolingian Europe
This comprehensive study of musical notation from early medieval Europe provides a crucial new foundational model for understanding later Western notations.
Jazz Age Catholicism
Stephen Schloesser's Jazz Age Catholicism shows how a postwar generation of Catholics refashioned traditional notions of sacramentalism in modern language and imagery.
Mendelssohn and the Organ
Mendelssohn and the Organ is the first comprehensive historical-critical study in any language to examine the role of the organ in Mendelssohn's personal and professional career. It examines his entire oeuvre for the instrument, including the Berlin-Krakow manuscripts, and presents for the first time Mendelssohn's complete correspondence with his English publisher, Charles Coventry.
The Diaries of Giacomo Meyerbeer: The last years, 1857-1864
Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
