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Deporting Europeans
In Deporting Europeans, Ioana Vrăbiescu examines how states within the European Union (EU) collaborate in the policing and deportation of EU citizens within EU territory. Vrăbiescu argues that the deportation of EU citizens reifies existing inequalities between central states, like France, and peripheral states, like Romania. By highlighting the massive deportation of Romanians from France, Vrăbiescu showcases these inequalities and the intricacies of EU geopolitics.
Exotic Subversions in Nineteenth-century French Fiction
In the course of the nineteenth century France built up a colonial empire second only to Britain's. The literary tradition in which it dealt with its colonial 'Other' is frequently understood in terms of Edward Said's description of Orientalism as both a Western projection and a 'will to govern' over the Orient. There is, however, a body of works that eludes such a simple categorisation, offering glimpses of colonial resistance, of a critique of imperialist hegemony, or of a blurring of the boundaries between the Self and the Other. Some of the ways in which the imperialist enterprise is subverted in the metropolitan literature of this period are examined in this volume through detailed case studies of key works by Chateaubriand, Hugo, Flaubert and Segalen.
American Gitanos in Mexico City
This book provides a detailed and comprehensive description of the Gitano community of Mexico City. The ethnographic study showcases the interplay between cultural reproduction, economic reproduction, and the Gitano / non-Gitano opposition. The first part of the book discusses how the cultural identity of this community is reproduced based on migratory processes, social relations and the dynamics of kinship and gender roles to understand the contradiction between value systems and practices in a patriarchal society. In the second part, emphasis is placed on the economic dynamism of this group in its interactions with the majority society in the context of informal economy and the group’s articulation with space and mobility in the territory. The analysis problematizes territorial mobility and circulation regimes based on fieldwork carried out in the process of active participation with Gitano families selling textile clothes and accessories through the country.
Django Generations
"The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz man...
(Counter-)Archive
This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that "did not exist". Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which - although being half-isolated from the outer world - reflected intellectual and artistic trends characteristic of its time. The guiding qu...
Gypsy Jazz
Of all the styles of jazz to emerge in the twentieth century, none is more passionate, more exhilaratingly up-tempo, or more steeped in an outsider tradition than Gypsy Jazz. And there is no one more qualified to write about Gypsy Jazz than Michael Dregni, author of the acclaimed biography, Django. A vagabond music, Gypsy Jazz is played today in French Gypsy bars, Romany encampments, on religious pilgrimages--and increasingly on the world's greatest concert stages. Yet its story has never been told, in part because much of its history is undocumented, either in written form or often even in recorded music. Beginning with Django Reinhardt, whose dazzling Gypsy Jazz became the toast of 1930s P...
Django
Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Yet there is no major biography of Reinhardt. Now, in Django, Michael Dregni offers a definitive portrait of this great guitarist. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left hand flying over the frets and his right hand plucking at dizzying speed, Django became Europe's...
Romani Writing
The Roma (commonly known as "Gypsies") have largely been depicted in writings and in popular culture as an illiterate group. However, as Romani Writing shows, the Roma have a deep understanding of literacy and its implications, and use writing for a range of different purposes. While some Romani writers adopt an "oral" use of the written medium, which aims at opposing and deconstructing anti-Gypsy stereotypes, other Romani authors use writing for purposes of identity-building. Writing is for Romani activists and intellectuals a key factor in establishing a shared identity and introducing a common language that transcends linguistic and geographical boundaries between different Romani groups. Romani authors, acting in-between different cultures and communication systems, regard writing as an act of cultural mediation through which they are able to rewrite Gypsy images and negotiate their identity while retaining their ethnic specificity. Indeed, Romani Writing demonstrates how Romani authors have started to create self-images in which the Roma are no longer portrayed as "objects", but become "subjects" of written representation.
Mass Violence in Nazi-Occupied Europe
Mass Violence in Nazi-Occupied Europe argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.
