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Dix-huit années de mayorat
La ville d'Ottignies-Louvain-la-Neuve s'est considérablement transformée en deux décennies, au point d'être aujourd'hui un pôle urbain à part entière qui attire et qui rayonne sur toute la région. Résultat d'une volonté politique qui a voulu saisir des opportunités en les intégrant dans un projet de ville, ce développement intense n'aura pas été un long fleuve tranquille. L'objet de ce livre est de montrer cette volonté à l'oeuvre. De dépasser les flashes successifs et disparates qu'offre l'actualité pour faire ressortir un sens à l'action menée.
The Films of Jean-Luc Godard
The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, the filmmaker's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. In subsequent chapters, he traces Godard's visionary ideas through six of his key films, including Breathless, My Life to Live, Weekend, Numéro deux, Hail Mary, and Nouvelle Vague formats. Linking Godard's works to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century.
Ottignies-Louvain-la-Neuve
Cinquante années de l'histoire d'Ottignies-Louvain-la-Neuve depuis les origines de la ville nouvelle, au travers des défis qu'elle a rencontrés et des débats qui l'ont animée. Pour mieux comprendre ce qu'elle est aujourd'hui : un pôle urbain complètement atypique, branché sur la culture, éminemment participatif. Un succès au-delà de toute espérance. Avec ses paradoxes et ses défis.
COST
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Weekend
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Silence in Modern Literature and Philosophy
This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness.
The Versatile Image
New insights into the shifting cultures of today’s ‘hypervisual’ digital universe With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, usage, and circulation of photographic images on interactive World Wide Web platforms.
