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Rousseau's immensely successful epistolary novel, La Nouvelle Héloïse, ushered in the Romantic era and has most often been examined in this light. Without ignoring these elements, the present study, by focusing on the structure of the novel through the movements of its letters, unveils a fundamental order in the work, symptomatic of the pursuit of virtue. The obsession with attaining virtue through order, despite its devastating consequences, places the novel in the Enlightenment framework and the French moralist tradition.
A celebration of Sinatra's enduring impact on American entertainment and cultural life. For nearly sixty years, Frank Sinatra [1915-98] triumphed in concert, in the recording studio, on television, and on the big screen, refashioning his image to suit the temper of the times. Sinatra did it "his way," remaining bothelusive and alluring, and appealing to men and women alike. This collection analyzes the qualities that ensured Sinatra's staying power: his impeccable musicality, his charisma, his tough-mindedness, and even his peccadilloes. The contributors to this volume evaluate Sinatra's impact on all areas of entertainment, and examine many of the cultural forces he influenced and was influ...
This travel diary is an eye-witness account of a production of a classical Greek play at Epidauros, Greece. But, above all, it is a story of friendshipdeep and abiding friendship that transcends time and place. Its setting is both ancient and modern. The heart of the story is a three-week journey that climaxes with the presentation of Euripides Medea. The mythical road to Epidauros did not take only three weeks to traverse, but rather several lifetimesindeed centuries. The details of the friendship emerge in the journey with a troupe of Greek actors and artists devoted to a single mission: presenting an incomparable ancient tragedy at the most fabled theater in the ancient world. Herein is a voyage of discovery recounted with equal doses of innocence and experience. From maids to movie stars, waiters to walk-ons, the characters in these pages will transport the reader to a magical place, where the feeling of being a part of an enchanted production will linger in the readers imagination.
The novel of adultery is a nineteenth-century form about the experience of women, produced almost exclusively by men. Bill Overton's study is the first to address the gender implications of this form, and the first to write its history. The opening chapter defines the terms 'adultery' and 'novel of adultery', and discusses how the form arose in Continental Europe, but failed to appear in Britain. Successive chapters deal with its development in France, and with examples from Russia, Denmark, Germany, Spain and Portugal.
This book assesses the mediating role played by 'affections' in eighteenth-century contestations about reason and passion, questioning their availability and desirability outside textual form. It examines the formulation and idealization of this affective category in works by Isaac Watts, Lord Shaftesbury, Mary Hays, William Godwin, Helen Maria Williams, and William Wordsworth. Part I outlines how affections are invested with utopian potential in theology, moral philosophy, and criticism, re-imagining what it might mean to know emotion. Part II considers attempts of writers at the end of the period to draw affections into literature as a means of negotiating a middle way between realism and idealism, expressivism and didacticism, particularity and abstraction, subjectivity and objectivity, femininity and masculinity, radicalism and conservatism, and the foreign and the domestic.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
A study of the singer/actor's art and of his centrality to the history of twentieth-century music, film, and the entertainment industry. It uses a range of perspectives to explore Crosby's achievements. It also includes tributes and reminiscences and explores his accomplishments as an actor, businessman, and radio and television performer.