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Technology and Experimentation in Archaeology
Edited by: Sara Cura, Jedson Cerezer, Maria Gurova, Boris Santander, Luiz Oosterbeek and Jorge Cristóvão. Volume 10, Proceedings of Sessions 27 and 42. This book contains papers in both English and French. Proceedings of the XVI World Congress (Florianopolis, 4-10 Sept 2011) Actes du XVI Congrès Mondial (Florianopolis, 4-10 Sept 2011)
International Conference on Use-Wear Analysis
The significance of use-wear studies in archaeological research plays an important role as a proxy to prehistoric techno-cultural reconstruction. The present volume, divided into five thematic sections, includes chapters discussing various different research methods, techniques, chronologies and regions. As such, this volume will be of interest to both archaeologists and anthropologists.
Arkheologii︠a︡
None
Cerâmica Guarani
None
Principles of Ceramics Processing
This popular reference offers a clear understanding of the scientific principles of ceramics processing required for the development and production of new advanced ceramics. In the latest edition significant new material has been added to the chapters on raw materials, liquids and surfactants, vapor deposition, printing, coating processes and firing. Contains several new features including processing flow diagrams, tables summarizing important points, 100+ new figures as well as descriptions of defects and their causes which are either itemized in the text or summarized in a table. Also includes numerous problems and examples following each chapter.
Ceramic Petrography: The Interpretation of Archaeological Pottery & Related Artefacts in Thin Section
Thin section ceramic petrography is a versatile interdisciplinary analytical tool for the characterization and interpretation of archaeological pottery. Using over 200 photomicrographs of thin sections from a diverse range of artefacts, time periods and geographic regions, this provides comprehensive guidelines for their study within archaeology.
Greenwich Village 1963
This book does not aim to document comprehensively the extraordinarily rich activity in New York City in the early 1960's. Instead, the author focuses on one year, 1963. This was the most productive year of the period 1958-64, the transition between the Fifties and Sixties. The author also focuses on one other place---Greenwich Village in lower Manhattan. For it was primarily here, in a place already historically and culturally mythologized as avant-garde terrain, that the emerging generation of vanguard artists lived, worked, socialized, and remade the history of the avant-garde. - from the Introduction.
