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German Prisoners of War at Camp Cooke, California
In 1943, the first great wave of Hitler’s soldier’s came to America, not as goose-stepping conquering heroes, but as prisoners of war. By the time World War II ended in 1945, more than six hundred German POW camps had sprung up across America holding a total of 371,683 POWs. One of these camps was established at the U.S. Army’s training installation Camp Cooke on June 16, 1944. The POW base camp at Cooke operated sixteen branch camps in six of California’s fifty-eight counties and is today the site of Vandenberg Air Force Base in Santa Barbara County. Compared to other prisoner of war camps in California, Camp Cooke generally held the largest number of German POWs and operated the mo...
Camp Cooke and Vandenberg Air Force Base, 1941-1966
During World War II, hundreds of military training installations were built throughout the United States to prepare servicemen for the rigors of overseas combat. One such installation was Camp Cooke in California, which since 1957 has become an internationally recognized missile and rocket base renamed Vandenberg Air Force Base. This book examines the history of the camp, starting with its construction. Established some 150 miles north of Los Angeles, Cooke was designed for armored divisions, but by the end of the war hundreds of other specialized organizations trained there. It supported many USO clubs and attracted some of Hollywood's leading entertainers as well as many from radio and sta...
Film Analysis
Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms.
Cinematicity in Media History
In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. It makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema.Examining the interrelations between cinema, literature, photography and other modes of representation not only to each other, but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - Cinematicity in Media History provides crucial insights into the development of media and their overlapping technologies and aesthetics.
American Documentary Film
Richard Wall Memorial Award 2012 - Finalist. What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive r...
Gesellschaft und Diplomatie im transatlantischen Kontext
Inhalt: Deutsche in Amerika: Mit Beitragen von: W. P. Adams, H. Keil, H. L. Trefousse Deutschland und Amerika: Mit Beitragen von: K. Krakau, M. Wala, J. Heitmann, K. Schwabe Zwischen den Weltkriegen: Mit Beitragen von: J. M. Cooper, Jr., N. Finzsch Das nationalsozialistische Deutschland und die USA: Mit Beitragen von: J. Reiling, D. Junker, C. Wilhelm Der Zweite Weltkrieg: Mit Beitragen von: J. Rohwer, D. Kahn, T. Jaehn, J. Heideking Nach dem Krieg - Im Kalten Krieg: Mit Beitragen von: M. Herrmann, D. Gossel, H.-J. Grabbe Transatlantische Okonomie: Mit Beitragen von: W. L. Bernecker, W. Feldenkirchen Verfassung und Recht im transatlantischen Kontext: Mit Beitragen von: B. Jahnicke, H. Dippel Kanada und Europa: Mit Beitragen von: U. Sautter, W. Helbich Die USA und Europa in den 1980er und '90er Jahren: Mit Beitragen von: J. Higham, G. L. Weinberg Wissenschaftliches Werk von Reinhard R. Doerries "a the volume is an impressive tribute." The Journal of American History . (Franz Steiner 1999)
Air Force Magazine
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The Barbarization of Warfare
The images from Abu Ghraib prison in Baghdad have been a grim reminder of warfare's undiminished capacity for brutality and indiscriminate excess. What happened in Abu Ghraib has happened before: the World War II, and more recent wars and insurgencies in Algeria, Congo, Angola, Vietnam, Bosnia, Kosovo, Chechnya, and many others, all bear witness to the ever-present human capacity to commit barbaric acts if circumstances allow. What drives people to mistreat, humiliate, and torment others? In an age when real time war, violence, and torture are becoming addictive forms of entertainment, it is now more critical than ever to deepen our understanding of the extraordinary distortions of the human psyche and spirit that occur in wartime. Eight distinguished scholars explore, in this first collective effort, the effects of the barbarization of warfare on our cultures and societies. Contributors: Joanna Bourke, Niall Ferguson, Jay Winter, Richard Overy, David Anderson, Hew Strachan, Paul Rogers, Kathleen Taylor, Marilyn Young, Paul Rogers, Anthony Dworkin, Amir Weiner, Mary Habeck, and David Simpson.
The Bad City in the Good War
"Riders were very appropriate to a western war, but these horsemen could not have been more different. One group patrolled the oceanfront of 'The City' after dark. While the residents of the nearby Sunset District and Seacliff huddled around the radios in their living rooms, curtains pulled and blinds lowered, listening to war news or to 'One Man's Family,' other residents rode the beaches. Mounted on their own ponies, the men of the San Francisco Polo Club labored through the sands of China Beach, Baker Beach, and the Ten Mile Beach, looking for Imperial Japanese intruders." -- from the book In the mythology of the West, the city was seen as a place of danger and corruption, but the "bad" c...
