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Greater Than
Most people assume that being brave is the absence of fear, when in reality, it can mean feeling afraid and being able to persevere anyway. If you're open to such things as the power of music, gratitude, pets, laughter, random acts of kindness or facing fears, you can change or enhance your perception of life in the most trying times. Demonstrating this "emotional grit" is invaluable every day with small or big concerns - or when you face a medical scare as the author did. In this book, you will learn: - How to reduce or eliminate fear by embracing it, - How the science of optimism can change your brain chemistry, and - Ways perspective and gratitude can help carry you. Jennifer Fernjack is ...
Growing and Propagating Wild Flowers
A guide to wild flower propagation and cultivation based on ten years of pioneering research at the North Carolina Botanical Garden.
Descendants of Jacob J & Mary (Nisley) Coblentz, 1835-2003
Jacob J. Coblentz was born 14 February 1835 in Saltillo, Ohio. His parents were Jacob Coblentz (1806-1864) and Rachel Troyer (1809-1891). He married Mary Nisley (1838-1907), daughter of Christian Nisley and Magdalena Yoder, 21 February 1858. They had eight children. Ancestors, descendants and relatives lived mainly in Germany and Ohio.
Bulletin
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Planting the Future
"Planting the Future" shows how land stewardship, habitat protection, and sustainable cultivation are of critical importance to ensure an abundant renewable supply of medicinal plants for future generations.
New Time
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project ...
Guyton\Walker
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