Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Kelley Walker
New York-based artist Kelley Walker hacks advertising and displays its inner workings as art. His large-scale prints appropriate iconic cultural images, digitally altering them to expose their underlying agendas. In "Black Star Press: Black Star, Star Press Star" (2004), Walker combined nondigital collage processes to reference abstract painting: He smeared newspaper photos of the Birmingham race riots with melted chocolate and toothpaste, scanned them into a computer and made photographic prints from the results. Such hybridized work is neither quite post-Pop nor just appropriation. In the past few years, Walker has emerged as one of the most innovative and rigorous young artists in New York and has become much in demand not only for his solo work but for his collaborations with fellow New Yorker Wade Guyton. This monograph is a valuable introduction to Walker's technical processes, and essays by maverick critic and curator Bob Nickas and writer Scott Rothkopf lend much insight into his practice.
Kelley Walker
None
Wade Guyton, Guyton/Walker, Kelley Walker
Founded in 2004, Guyton\Walker--the artist duo of Wade Guyton (born 1972) and Kelley Walker (born 1969)--is a partnership that has remained virtually without parallel in contemporary art, in that both artists work and exhibit individually. This volume examines all facets of their output, both singly and together. Essays by Sam Pulitzer and Quinn Latimer discuss individual authorship and joint techniques, while Jack Bankowsky's text examines Guyton\Walker within a broad art-historical context. Yilmaz Dziewior's introductory essay outlines the distinctive concept of the Kunsthaus Bregenz exhibition this book accompanies, and addresses the relationship between individual and joint artistic practices. Each section on the three artistic positions features photographs of the installation in Kunsthaus Bregenz.
Kelley Walker
With nods to artistic influences ranging from Andy Warhol to Jackson Pollock and Sigmar Polke, Walker?s work interrogates the ways a single image can migrate into a number of cultural contexts. Throughout his career, Walker has explored the manipulation and repurposing of images in order to destabilize issues of identity, race, class, sexuality, and politics. Often using such technologies as 3-D modeling software and laser-cutting, the artist works in a variety of media, including photography, painting, printmaking, collage, and sculpture. In an era of digital reproduction, Walker?s work draws attention to popular culture?s perpetual consumption and reuse of images. 00Exhibition: Contemporary Art Museum, St. Louis, United States (16.09. - 31.12.2016).
Guyton\Walker
None
Print/out
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
Kelley Walker
Since the early 2000s, Kelley Walker has developed a body of work that alters and subverts some of the most ubiquitous cultural, political, and social signifiers of our contemporary society.Using the potency of advertising strategies, his work interrogates the ways a single image can migrate into a number of cultural contexts, how meaning constantly shifts, and how everything and everyone is subject to reinvention -- just as the iconic recycling symbol he uses in numerous manifestations might ironically suggest.He explores authorship and authenticity, the manipulation and repurposing of images and material from the public domain in order to destabilize issues of identity, race, class, sexual...
Regarding Warhol
This sumptuous volume presents the first full-scale exploration of warhol's tremendous influence across the generations of artists that have succeeded him. Warhol brought to the art world a unique awareness of the relationship that art might have with popular consumer culture and tabloid news, with celebrity, and with sexuality. Each of these themes is explored through visual dialogues between warhol and some sixty artists, among them John Baldessari, Vija Celmins, Gilbert & George, Felix Gonzalez-Torres, Robert Gober, Nan Goldin, Damien Hirst, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Barbara Kruger, Glenn Ligon, Robert Mapplethorpe, Vik Muniz, Takashi Murakami, Bruce Nauman, Cady ...
Published by the Author
Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives.
Location-Based Management for Construction
With extensive case studies for illustration, this is a practitioner's guide to an entirely new production system for construction management using flowline scheduling. Covering the entire process of presenting a comprehensive management system – from design, through measurement, scheduling, and visualization and control – its emphasis is on reducing cost and increasing quality. Drawing its components together into a management system, the authors not only include theory and explanations of how and why it works, but also examine and present a suite of methods for successful project implementation. Perfect as a how-to guide for researchers and advanced construction students to discover the simple application of the new techniques, and invaluable for acquiring the practical tools for planning and controlling projects.
