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The Ethnomusicologists' Cookbook
Named one of New York Times Top-20 Cookbooks of 2006. Have you ever wanted to host a full evening of Indian food, culture, and music? How about preparing a traditional Balinese banquet? Or take a trip to Cairo and enjoy an Egyptian feast? The Ethnomusicologists' Cookbook takes you around the world on a culinary journey that is also a cultural and social odyssey. Many cookbooks offer a snapshot of individual recipes from different parts of the world, but do nothing to tell the reader how different foods are presented together, or how to relate these foods to other cultural practices. For years, ethnomusicologists have visited the four corners of the earth to collect the music and culture of n...
Her Healthy Heart
Describes the risk factors for heart disease, recommends lifestyle and diethanges, and discusses antioxidants, B vitamins, minerals, and supplements.
Sounds in Translation
Sounds in Translation: Intersections of music, technology and society joins a growing number of publications taking up R. Murray Schafer's challenge to examine and to re-focus attention on the sound dimensions of our human environment. This book takes up his challenge to contemporary audiologists, musicologists and sound artists working within areas of music, cultural studies, media studies and social science to explore the idea of the 'soundscape' and to investigate the acoustic environment that we inhabit. It seeks to raise questions regarding the translative process of sound: 1) what happens to sound during the process of transfer and transformation; and 2) what transpires in the process of sound production/expression/performance. Sounds in Translation was conceived to take advantage of new technology and a development in book publishing, the electronic book. Much of what is written in the book is best illustrated by the sound itself, and in that sense, permits sound to 'speak for itself'.
Music and Identity in Ireland and Beyond
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ‘music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) ...
Cultural Dance in Australia
This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism.
Library of Dreams
LIBRARY OF DREAMS interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Library's collections, including: James Cook's Endeavour journal; William Bligh's notebook and list of mutineers; The only surviving Australian convict uniform; The original manuscript of 'Waltzing Matilda'; William John Wills' diary; Jorn Utzon's models for the design of the Sydney Opera House; The manuscripts relating to the trial of Lindy Chamberlain Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australia's heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.
Connecting the Nation
Aviation has played an important part in shaping Australia’s culture and history through the course of the twentieth century. Australia embraced aviation from its earliest days, eagerly responding to its potential to cover a challenging country, to bring far-flung communities closer and to provide services that could not be delivered any other way. Add the romance of pioneer heroes, the vital role of aviation in wartime and the capacity to deliver aid to people in need in Australia and beyond, and it is clear why aviation is at the heart of Australia’s recent history. This book aims to set out the major themes that characterise Australia’s aviation history for a broad audience and to provide a foundation for a broader discussion, and for further research, about how aviation transformed Australia. Connecting the Nation is a vital and timely introduction to the history of civil aviation in Australia as we prepare for the centenary of civil aviation services in 2020.
Composing Ambiguity: The Early Music of Morton Feldman
American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of s...
Warum Jenny?
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