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Man Ray
Man Ray (1890 –1976) was a pioneer of the Dada movement in the United States and France and a central protagonist of Surrealism. Today he is one of the best-known American artists of the twentieth century, celebrated above all for his innovative and often seductively glamorous photography. Surprisingly, given Man Ray’s key role in the history of early-twentieth-century Modernism, a comprehensive collection of his writings on art has not been published in English until now. Man Ray: Writings on Art fills a conspicuous gap in scholarship on the artist and his period. It brings together his most significant writings, many of them published here for the first time. These occasionally quixoti...
Lost Art
Damaged, attacked, rejected, destroyed, transient - there are many ways that art can become lost. With work by Marcel Duchamp, Wassily Kandinsky, Frida Kahlo, Joseph Beuys, John Baldessari, Rachel Whiteread and Lucian Freud, this is a lively look at a often little considered aspect of contemporary art.
Duchamp, Man Ray, Picabia
"For the first time, the friendships that existed between this triumvirate are examined in depth, revealing the way their mutual admiration inspired and sustained their creative output at different stages during their careers. All three were fascinated with new technologies that evolved during their lifetimes, including photography, film, mechanisation and mass production. All three lampooned the pretensions of high art, employing humour, eroticism and word play to great effect."--Back cover.
Surrealism
Surrealism was one of the most interesting and influential at movements of the 20th century. A collective adventure begun by a small group of intellectuals in Paris in the early 1920s, amongst them Max Ernst, Rene Magritte and Salvador Dali, its influence was felt through the rest of continental Europe and in Britain, the Americas, Mexico and Japan.
Surrealism
Published to accompany a major transatlantic exhibition of international Surrealism, this lavishly illustrated catalog explores desire in Surrealist art through both words and images. 284 color plates.
On Classic Ground
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Disavowals Or Cancelled Confessions
By making this lost masterpiece of Surrealist literature available to an English-speaking readership, this publication will bring further recognition to a seminal and previously underrated figure in 20th century art and literature.
Biocentrism and Modernism
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
The Richer Sex
A revolution is under way. Within a generation, more households will be supported by women than by men. In this book the author takes us to the frontier of this new economic order. She shows us why this flip is inevitable, what painful adjustments will have to be made along the way, and how both men and women will feel surprisingly liberated in the end. Couples today are debating who must assume the responsibility of primary earner and who gets the freedom of being the slow track partner. With more men choosing to stay home, she shows how that lifestyle has achieved a higher status, and the ways males have found to recover their masculinity. And the revolution is global: she takes us from Japan to Denmark to show how both sexes are adapting as the marriage market has turned into a giant free-for-all, with men and women at different stages of this transformation finding partners who match their expectations. This book is an analysis of the most important cultural shift since the rise of feminism: the coming era in which women will earn more than men, and how this will change work, love, and sex.
Biocentrism and Modernism
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
