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Another Aesthetics Is Possible
In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Insurgent Universality
Scholars commonly take the Declaration of the Rights of Man and Citizen of 1789, written during the French Revolution, as the starting point for the modern conception of human rights. According to the Declaration, the rights of man are held to be universal, at all times and all places. But as recent crises around migrants and refugees have made obvious, this idea, sacred as it might be among human rights advocates, is exhausted. This book suggests that we need to think of a different idea of universality that exceeds the juridical universialism of the Declaration. Insurgent Universality investigates alternative trajectories of modernity that have been repressed, hindered, and forgotten. Investigating radical upheavals, Tomba excavates an alternative idea of universality that is based on popular political practices that disrupt and reject the existing political and economic order. The book shows how this tradition builds bridges between European and non-European political and social experiments.
One Line Drive
Daniel Ponce de Leon's hard-fought journey to Major League Baseball and recovery from a near-death injury, followed by his astonishing big league debut, will inspire readers to trust God in all circumstances. The path you take to achieving your dreams is not always easy. Daniel Ponce de Leon, an acclaimed pitcher for the St. Louis Cardinals, overcame many challenges to get to the Major Leagues. Drafted four times, he spent a long four years climbing his way up through the minors before finally reaching AAA, only one step away from the Major Leagues. Then, Daniel's dream was almost shattered when he was struck in the head by a line drive. Spending weeks in the hospital and months recov...
The Global Police State
A critical look at the terrifying ways the police are used to control'surplus' populations worldwide.
Aesthetics and Radical Politics
There has always been a strong connection historically between aesthetics and radical politics, and this is no less true for the global justice movement’s current preoccupation with cultural approaches to political action. The essays collected here seek to engage with past and present convergences between the theories and practices of artists and writers and the theories and practices of movements for radical social change. There is already a massive amount of literature on Marxist approaches to aesthetics, art and literature, and whilst recognising the usefulness of such approaches, the essays collected here attempt to engage with culture from other radical critical positions - whether th...
Questioning Empowerment
Focusing on the term empowerment this book examines the various meanings given to the concept of empowerment and the many ways power can be expressed - in personal relationships and in wider social interactions.
Domination and Emancipation
A melancholy defeatism has become a hallmark of critical thought and leftist politics. A consequence of this has been an exaggerated focus on domination among critical theorists, leaving emancipation—along with questions of political organization and strategy—undertheorized at best, or disregarded as delusional, at worst. If emancipation still plays a role in critical reflection, it is most often in a “domesticated” form, made into a bedfellow of centrist liberalism. Recent events necessitate a different outlook, especially since the financial collapse of 2008 and the myriad movements—emancipatory as much as reactionary—it has spawned throughout the world. Through a series of dialogues and reflections by leading thinkers, scholars, and activists, Domination and Emancipation: Remaking Critique seeks to rebuild the emancipatory pole of critique and bring forward theoretical work that is in step with the struggles and aspirations of the moment.
While Sleeping
You never know who's living in your house. I see you. You're casually naming your family members, mentally ticking them off one by one. I want to stop you right there. I want to ask...who's the person living in your house that you don't know about? I hear you scoff. See you shake your head. But think about it. Really think about it. What lies behind the giant grate in the wall of your kitchen? When was the last time you were in the attic? And how many of your waking hours are spent at home? Unbeknownst to Julia Rodriguez, there is an unwelcome guest living in the house that she has recently moved into. Her new position as an assistant curator for a community youth foundation has brought her ...
The Hundreds
In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.
A Feeling Called Heaven
A guided meditation on human extinction that imagines a post-apocalyptic Earth thriving without us.
