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The January/February 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Elizabeth Bear, S.B. Divya, Arkady Martine, Marissa Lingen, Sunny Moraine, Vivian Shaw, and R.K. Kalaw, reprinted fiction by Vandana Singh, essays by Fran Wilde, John Wiswell, Iori Kusano, Rebecca Roanhorse, and Sarah Monette, and poetry by Sofia Samatar & Del Samatar, Nitoo Das, Sonya Taaffe, and Ana Hurtado, interviews with S.B. Divya and Sunny Moraine by Caroline M. Yoachim, a cover by Tran Nguyen, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
While the term “session beer” as a style description has only been around since the 1980s, many classic beer styles, like Pilsner, Kölsch, cream ale, and English mild and bitter, to name a few, have been a crucial part of “session” culture for beer drinkers for centuries. In more recent years, many craft brewers in America have begun producing additional low-alcohol drinks, providing sessionable examples of customarily strong beers. Nowadays, the craft beer market has many notable examples of “session IPAs” and moderate-strength pale ales and stouts, and even rare styles like Gose are now part of mainstream craft offerings. These cover a wide range in terms of malt balance and h...
The May/June 2020 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Arkady Martine, Jennifer Marie Brissett, Emma Törzs, A.T. Greenblatt, Meg Elison, and Suzanne Walker. Reprint fiction by Sonya Taaffe. Essays by Fran Wilde, Kelly Lagor, Khairani Barokka, and Ada Palmer, poetry by Valerie Valdes, Ali Trotta, Roshani Chokshi, and T.K. Lê, interviews with Emma Törzs and Meg Elison by Caroline M. Yoachim, a cover by Julie Dillon, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson.
The July/August 2019 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Pinsker, Greg van Eekhout, Rachel Swirsky and P.H. Lee, Marie Brennan, A.C. Wise, and Maurice Broaddus. Reprinted fiction by Tim Pratt, essays by Aidan Moher, Tansy Rayner Roberts, Karlyn Ruth Meyer, Marissa Lingen, and Elsa Sjunneson-Henry, poetry by D.A. Xiaolin Spires, Alexandra Seidel, Cynthia So, and Betsy Aoki, interviews with Greg Van Eekhout and Maurice Broaddus by Caroline M. Yoachim, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
The May/June 2024 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Arkady Martine, Sarah Rees Brennan, Tia Tashiro, Eugenia Triantafyllou, Rati Mehotra, K.S. Walker, and John Wiswell. Essays by John Scalzi, Amy Berg, Dawn Xiana Moon, and Cara Liebowitz, poetry by Angela Liu, Ali Trotta, Nwuguru Chidiebere Sullivan, and Fran Wilde, interviews with Arkady Martine and K.S. Walker by Caroline M. Yoachim, a cover by Zara Alfonso, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
The November/December 2023 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Naomi Kritzer, Jeffrey Ford, Kel Coleman, Cecil Castellucci, Marissa Lingen, Chelsea Sutton, and Ana Hurtado. Essays by John Scalzi, Amanda-Rae Prescott, Paul Cornell, and Lee Mandelo, poetry by Carlie St. George, Tehnuka, Lora Gray, and Angela Liu, interviews with Jeffrey Ford and Marissa lIngen by Caroline M. Yoachim, a cover by Paul Lewin, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
This book seeks to confront an apparent contradiction: that while we are constantly attending to environmental issues, we seem to be woefully out of touch with nature. The goal of Ecopsychology, Phenomenology and the Environment is to foster an enhanced awareness of nature that can lead us to new ways of relating to the environment, ultimately yielding more sustainable patterns of living. This volume is different from other books in the rapidly growing field of ecopsychology in its emphasis on phenomenological approaches, building on the work of phenomenological psychologists such as Maurice Merleau-Ponty. This focus on phenomenological methodologies for articulating our direct experience of...
English summary: Legislators are increasingly restricting the contractual freedom of the contracting parties. Stefan Bechtold analyzes examples from contract law, consumer protection law as well as corporate and securities law in which mandatory contract law has failed as a regulatory instrument. He relies extensively on insights from standard and behavioral law and economics, and develops a functional theory of lawmaking which assesses the advantages and disadvantages of different regulatory instruments in civil law. In addition, the author analyzes the extent to which economic and behavioral insights can be integrated into legal research. Thus the book not only deals with the limits of man...
The March/April 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Pinsker, A.T. Greenblatt, Emma Törzs, Sarah Monette, Vina Jie-Min Prasad, and Brandon O'Brien, reprinted fiction by Nalo Hopkinson, essays by R.F. Kuang, Neile Graham, Marissa Lingen, and Karlyn Ruth Meyer, and poetry by Fran Wilde, Cassandra Khaw, Brandon O'Brien, Beth Cato, Sonya Taaffe,Hal Y. Zhang, and Andrea Tang, interviews with A.T. Greenblatt and Vina Jie-Min Prasad by Caroline M. Yoachim, a cover by Nilah Magruder, and an editorial by Lynne M. Thomas and Michael Damian Thomas.