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Entwisted Tongues
Cultural creolization, métissage, hybridity, and the in-between spaces of postcolonial thought are now fundamental terms of reference within contemporary critical thought. Entwisted Tongues explores the sociohistorical and cultural basis for writing in creole languages from a comparative framework. The rise of self-defining literatures in Atlantic creoles offers parallels with the development of national literatures elsewhere, but the status of creole languages imposes particular conditions for literary creation. After an introduction to the history of the term creole, Entwisted Tongues surveys the history of the languages which are its focus: the Crioulo of Cape Verde, Sierra Leone Krio, S...
A History of Literature in the Caribbean
Cross-Cultural Studies is the culminating effort of a distinguished team of international scholars who have worked since the mid-1980s to create the most complete analysis of Caribbean literature ever undertaken. Conceived as a major contribution to postcolonial studies, cultural studies, cultural anthropology, and regional studies of the Caribbean and the Americas, Cross-Cultural Studies illuminates the interrelations between and among Europe, the Caribbean islands, Africa, and the American continents from the late fifteenth century to the present. Scholars from five continents bring to bear on the most salient issues of Caribbean literature theoretical and critical positions that are curre...
Caribbean Women and Their Art
Overlooked in the history of artistic endeavors are the contributions of female writers, painters, and crafters of the Caribbean. The creative works by women from the Caribbean proves to be as remarkable as the women themselves. In Caribbean Women and Their Art: An Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression by examining the crafts and skill of over 70 female originators in the West Indies, from the familiar islands—Jamaica, Haiti, Cuba, Puerto Rico—to the obscurity of Roatan, Curaçao, Guanaja, and Indian Key. Focusing particularly on artistic style during the arrival of Europeans among the West Indies, the importance of cultural exchang...
Rewriting Franco’s Spain
Rewriting Franco’s Spain: Marcel Proust and the Dissident Novelists of Memory proposes a new reading of some of the most culturally significant and closely studied works of Spanish memory fiction from the past seventy years. It examines the influence of French writer Marcel Proust on fiction concerning the Spanish Civil War and Franco’s dictatorship by Carmen Laforet, Juan Goytisolo, Juan Benet, Carmen Martín Gaite, Jorge Semprún, and Javier Marías. It explores the ways in which À la recherche du temps perdu has been instrumental in these authors’ works, galvanizing their creative impetus, shaping their imaginative act, and guiding their adversarial stance toward Franco’s regime....
Literary Censorship in Francisco Franco's Spain and Getulio Vargas' Brazil, 1936-1945
This book presents two systems of censorship and literary promotion, revealing how literature can be molded to support authoritarian regimes. The issue is complex in that at a descriptive level the strategies and methods new states use to control communication through the written word can be judged by how and when formal decrees were issued, and how publishing media, whether in the form of publishing companies or at the individual level, engaged with political overseers. But equally, literature was a means of resistance against an authoritarian regime, not only for writers but for readers as well. From the point of view of historical memory and intellectual history, stories of people without...
Antillen Review
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Rhetoric and Pleasure
This study treats, after a discussion on literary theory, rhetorical and conventional aspects of realist novels from three different cultures: La regenta by the Spaniard Leopoldo Alas (1852-1901), the feminist novel Constance Ring by the Norwegian author Amalie Skram (1846-1905) and three Roman novels by the Dutch writer Louis Couperus (1863-1923). The author argues that part of the meaning of these novels is influenced and in some cases even rendered undecidable by the use of rhetorical figures and tropes or by the exigencies of literary decorum. Part of the rhetoric is strongly estheticizing: it generates a plaisir du texte, and also threatens the postulated «serious» or «emancipatory» meaning of the texts. Van Luxemburg's rhetorical analysis is influenced by the deconstructionist criticism of among others Roland Barthes, J. Hillis Miller, Paul de Man and Adena Rosmarin. His book covers the representation of women, of servants and slaves and (in relation to this) the depiction of morality and religion.
Verdacht!
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