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In the late nineteenth and early twentieth centuries, a small group of Jewish immigrants carved out their own vibrant community in Staten Island. Jewish settlers clustered around the Arietta Street, St. George, Bergen Point, and Perth Amboy ferries and built seven synagogues and a Jewish community center. Jewish dry goods, candy, hardware, and men's furnishings stores sprung up along the major shopping areas of Jersey Street and Richmond Avenue. As the Jewish population grew, it expanded into new developments in Willowbrook, Eltingville, and Arden Heights and was able to support a Jewish elementary school.
Abel Kiviat (1892-1991) was one of track and field’s legendary personalities, a world record-holder and Olympic medalist in the metric mile. A teenage prodigy, he defeated Hall of Fame runners before his twentieth birthday. Alan S. Katchen brings Kiviat’s fascinating story to life and re-creates a lost world, when track and field was at the height of its popularity and occupying a central place in America’s sporting world. The oldest of seven children of Moishe and Zelda Kiviat, Jewish immigrants from Poland, Abel competed as "the Hebrew runner" for New York’s famed Irish-American Athletic Club and was elected its captain. Katchen’s engaging biography centers Abel Kiviat’s life a...
The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation. An excavation of this image, in the historical context of maximum productivity and mechanical reproducibility, reveals its development in European Modernism--Modernism drawn to dancers of American, African, and Asian origins, to Taylorism as well as to Primitivism, to cinema and to myth. This book traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic, and in the streamlined gestures of industry, avant-garde art, and entertainment. What surfaces is dances centrality to machine aesthetics and to its alternatives, as well as to the early elaboration of the machine that would become the ultimate guarantor of modern dances de-mechanization, the motion picture camera.
The Jewish community of Washington, D.C., located in the political nexus of the United States, has often enjoyed attention from people of every level of influence, including the president of the United States. On May 3, 1925, Calvin Coolidge attended the cornerstone laying ceremony of the Washington Jewish Community Center. Herbert Hoover, as a former president, was vocal in his denunciation of Nazi Germany's treatment of the Jews. His voice garnered the support of many United States senators in 1943, including two from Maryland and one from Virginia. Ronald Reagan sent his personal regards to the Ohev Shalom Talmud Torah Congregation on their 100th anniversary celebration on April 10, 1986.
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Going where no sci-fi adventure has gone before, The DTRIS File: Timelines is a good-versus-evil allegory of galactic proportions. The story opens as David Mark is resurrecting his life from the depths of disillusionment with humanity's moral decay. After meeting a mysterious man named Lewis Chester, he gets a thought-recording device implanted in his brain, the first step in the process of leaving planet Earth""and then the global rains begin. It's his twin sister, Darla, who unravels the story of David's fantastic space adventure as she transcribes his DTRIS file a year later. She was transported to the Logos Station, a spherical sanctuary at the edge of a void, shortly after her brother disappeared. Through this intriguing tale, you'll learn how events of Earth's past, present, and future are tied to invisible forces and secret agendas, as the actions of the Nobel, the Sangar, the Earing, the Ictol, and other alien species are unveiled. This first book in a compelling new science-fiction saga, The DTRIS File: Timelines narrates the spellbinding story of how the universe arrives at the precipice of all-out intergalactic war in the not-so-distant future.
Heinz-Uwe Haus was the first renowned director from the German Democratic Republic to (be allowed to) direct in the USA. This book presents relevant material written in relation to his productions, specifically of Bertolt Brecht’s plays. This includes Haus’s notes for his casts, announcements of the productions in the media, newspaper reviews and academic articles about the productions, conference contributions, and reflections by cast members (both professional actors and university faculty) and designers (set, costume, light, music). The material on the productions is then discussed in the contexts of approaches to directing, actor training, the academic debate of Brecht in the USA, and historical and biographical dimensions. A conversation with Haus as the final chapter of the book further contextualises the material brought together here.
Decision in Paris - Part 2 With the first lie the winter began! With the slamming of the grand piano lid, a decision is made that has bitter consequences for all and fate inexorably takes its course ans this forever! When we close our eyes in this last part of 'Decision in Paris - Volume II', we are in the middle of Paris! And find ourselves in a beautiful but tragic love story, as in the last book, which finds its continuation here seamlessly. With a variety of new events, which the author skillfully set the scene, so that a very tightly knit, haunting and under the skin drama has emerged. Emotions that we can hardly escape. This book makes your heart beat faster and the tears flow, if we l...
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Biografia Henryka Warsa (właściwie Henryka Warszawskiego, po wojnie Henry’ego Varsa), jednego z największych polskich twórców muzyki filmowej okresu międzywojennego. Jego piosenki śpiewały ówczesne gwiazdy ekranu, m.in. panie: Loda Halama, Hanka Ordonówna, Tola Mankiewiczówna, Zula Pogorzelska, oraz panowie: Eugeniusz Bodo, Andrzej Bogucki, Adolf Dymsza i Aleksander Żabczyński. Podczas II wojny światowej prowadził The Polish Parade – polski teatr rewiowy, utworzony przy armii gen. Władysława Andersa, z którym przeszedł cały szlak bojowy II Korpusu. Zdemobilizowany we Włoszech w 1947 r. wyjechał do USA. Skomponował tam muzykę do kilkudziesięciu filmów kinowych i ...