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Haunted
From the Dutch award-winning author, Linda Jansma, comes a thriller that goes from heartbreaking to heart stopping in the blink of an eye. Sixteen years ago, something terrible happened to Janine so terrible she never told anyone. Now she is a successful business woman and owner of a famous dance club in Amsterdam. With a wonderful husband and lovely daughter Janine seems to have it all, until in one life-shattering moment the love of her life is murdered in cold blood. Completely devastated and alone, she fears her past is finally catching up with her - threatening not only her own life but also that of her daughter. `Enigmatic crime, an engaging protagonist and pulse-pounding surprise, drive Linda Jansmas Haunted. This, the first translation of one of her books into English, is both brilliantly done and a must read Leighton Gage, author of the Chief Inspector Silva Series.
Linda Duvall
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Brian Kipping
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Brenda Joy Lem
The art of Brenda Joy Lem embraces narrative and storytelling to convey a host of issues from racism and memory to ancient ritual and spirituality.
Viktor Tinkl
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Geordie Lishman
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All that is Solid
Using photography, film, and CGI, media artist Simone Jones explores how we see the world, and how our perception of reality can shift through various applications of what we record. In the central work discussed here four screens lean against the wall with images, both black and white and CGI, flowing one into the other. By conjoining images, the artist is attempting to create a hybrid space - asking the viewer to focus their attention on the nature of the images themselves. In a related work, Jones produces stereograms - images that allow us to see in three dimensions without the use of external visual aids.
Rody Kenny Courtice
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Avant-garde Canadian Literature
In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.
Canadian Art in the Twentieth Century
Joan Murray discusses social and political events in combination with the movements, ideas, attitudes, styles, and important groups in Canadian art of this century.
