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New Orleans
This book traces the major writing of New Orleans through its five most famous streets as well as its outskirts.
Swole
Poetry. "SWOLE full y'all--of what flotsam language is when time comes to name the wrongs befalling (some of) us. A songbook of catastrophes--these, big as bodies, small as cities--Marchan's reeling debut is the real thing. She washed her lines in Katrina's filthy water till they smeared into gendercrit mondegreens, broad dialects, Yung Crank's crunk-ass barz, and syntax that's at once saturated and eroded. Reckoning the wreckage, she writes: 'after the rain has left my room coldish / ... I light / candles makes me feel / oceanic or just salty'--vast and pissed, deep and caustic, SWOLE near bursts with poetry."--Douglas Kearney "Against the impulse to 'draw lines as a kind of forgetting,' Je...
Meet Me There
"Samuel Ace's / Linda Smukler's Meet Me There brings together the mid-1990s lesbian poetry of Linda Smukler with the trans poetics of Samuel Ace, contextualized by a group of short essays by LGBTQIA+ writers reflecting on their encounters with Ace/Smukler's writing"--
Space Struck
This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.”
Poems of the Black Object
Poetry. African American Studies. Asian American Studies. LGBT Studies. Winner of the Publishing Triangle's 2010 Thom Gunn Award for Gay Poetry and the 13th Annual Asian American Literary Award for Poetry. "I applaud Ronaldo Wilson's pathbreaking movement into what has never, never, in history, been said. About sexuality, in particular, these poems speak with incorrigible and raving clarity. And, always, they display intellectual curiosity, and an impatient, gorgeous readiness to make language new." Wayne Koestenbaum " A] warning to anyone tempted to believe that in objectification lies freedom. Livid inside an apocalyptic negative capability, these poems are constructed through their maker'...
Transverse
TRANSVERSE weaves between languages and forms, cultivating the questions and lacunae that emerge in their encounter. In the three parts that make up the book, music, mathematics, philosophical logic, and lyric convention come in and out of relation to press upon questions of form and meaning-making, and attend to the moments when coherence appears to take place or dissolve. Following sonic and visual echos, practices and plays upon citation, TRANSVERSE traces and distorts logics of allegory, repetition, and representation, moving towards an inquiry into the nature of our encounter with and recognition of the world. "Both desperately philosophical and tenderly present, 최Lindsay in the writi...
21 Poems
Here put your head, that desires nothing except familiarly: There your feet, bending your knees so that, bare (I remember from childhood), they would smell salt-sweet. --from 21 Poems
To Make Room for the Sea
“The more I sit with these poems, the more they resonate with me and with universal patterns and themes—existential inquiries, loneliness, spiritual doubts.” —Green Mountains Review To Make Room for the Sea reckons with the notion that nothing in this world is permanent. Led by an introspective speaker, these poems examine a landscape that resists full focus, and conclude that “it’s easier to love what we don’t know.” “I hold this leaf I think / you should see, but I can’t quite / say why,” Adam Clay writes, as he navigates a variety of both personal and ecological fixations: disembodied bullfrog croaks, the growth of his child, a computer’s dreaded blue screen of dea...
The Yearning Feed
The poems in Manuel Paul López's The Yearning Feed, winner of the 2013 Ernest Sandeen Prize in Poetry, are embedded in the San Diego/Imperial Valley regions, communities located along the U.S.-Mexico border. López, an Imperial Valley native, considers La Frontera, or the border, as magical, worthy of Macondo-like comparisons, where contradictions are firmly rooted and ironies play out on a daily basis. These poems synthesize López’s knowledge of modern and contemporary literature with a border-child vernacular sensibility to produce a work that illustrates the ongoing geographical and literary historical clash of cultures. With humor and lyrical intensity, López addresses familial rela...
The Best American Poetry 2015
Title page verso indicates hardcover edition, but this ISBN is for the paperback printing.
