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In recent years, Dutch Design has sharply diverged from its previous course. A generation of designers trained in and shaped by the crisis years chose new values and starting points. The focus is now on inquisitive and collaborative makers who strive for social relevance and, if possible, impact. This post-crisis generation is committed and optimistic, but also pragmatic and in possession of an eye for beauty. Humour and the almost inescapable concept have been exchanged for engagement and free research and irony and contemplative criticism for open-mindedness and the will to act. Craftsmanship and local production are examined as realistic alternatives to deadlocked systems of production and distribution. In addition to art and design, science, technology, social studies and politics are also seen as design arenas. In short, the latest generation of designers is looking to substantiate the content of the profession and make positive contributions to social issues. Well-known design writer Jeroen Junte is the first to describe this new stage in the development of the widely acclaimed Dutch Design, by way of 199 surprising, innovative, astonishing projects and products.
Dutch designers are noted worldwide for their originality and daring innovations, and their work penetrates the capillaries of our society. Design is everywhere and the world seems makeable. This is an image to which the unorthodox methods and creative power of designers contribute. Although the Covid-19 crisis is fundamentally affecting the creative sector, the accompanying major social and economic challenges facing the world also offer many opportunities. How resilient is the design sector and how can it contribute to the necessary transitions?00The Dutch designers Yearbook describes the design year 2020 and looks to the future. The book offers a candid take on what designers are thinking and making now: through essays and interviews, remarkable graduation projects from Dutch design schools, award-winning work and portraits of iconic design heroes such as Simon Dogger, Christien Meindertsma, Taco Carlier, Harald Dunnink and Bas Timmer.
Inspirational interviews with 28 world-renowned designers and architects shed light on the experiences that have influenced their lives and work. The regular feature What I’ve Learned in Frame magazine opens the door for readers to discover more about their favourite designers and architects. In candid interviews, these individuals reflect on the path their careers have taken them and the industry at large, offering the reader the possibility to take a shortcut and learn from their experiences. Revisiting a selection of these interviews for compilation into this new book, What I’ve Learned includes new material and further insights. The book also features the most important projects or p...
This publication is aimed to support two MoMoWo traveling exhibitions which will be presented in six European countries in two years (2016-2017): indoor exhibition catalogue “100 Works in 100 Years. European Women in Architecture and Design. 1918-2018”, and outdoor exhibition “Women’s Tale. A Reportage on Women Designers”. Exhibition catalogue 100 Works in 100 Years. European Women in Architecture and Design. 1918-2018 brings together a selection of some of the most significant and representative examples of European architecture and design created by 100 women from the end of the First World War up until today. The number of works is symbolic, as ‘one hundred’ could also mean ...
Frame: The Back Issue is a celebration of 50 issues of a design magazine. It represents an opportunity to give lovers of Frame the ultimate fan book to read, to keep, to use. This publication features 50 exceptional articles on designs and projects that helped shape the magazine. The Back Issue contains interviews with the editor and the publisher, the graphic designers of Frame and nine shops, one exhibition, three bars, two schools, four museums, four clubs, one restaurant, four offices, one port terminal, two hotels, two libraries, two articles on trade-fair stands, one church, two stage sets, eight portraits of designers, one airport, two visual essays and four hair salons.
The "Museum of Contemporary African Art" is an art installation conceived by the artist Meschac Gaba in 1997. This book documents the first six rooms of the museum (there were to be twelve) and was published with the display of the 7th room of the museum, the Library, at the Witte de With Centre for Contemporary Art, Rotterdam in 2001.
Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. If postmodernism depended upon ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make. Damon Taylor's original study considers these emotionally laden, highly authored works, often produced in limited editions and sold like art – objects such as a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair. Tracing the phenomenon back to the 'Dutch inflection' that began with Droog designers like Jurgen Bey and Hell...
This book is not just for reading. Design Thinking is something you need to actually do. Reading about design thinking will increase your knowledge, but by doing it, you will learn what design thinking can mean for you, in your studies and your work. In this book we encourage you to take action: design thinking by doing. Since the end of the last millennium, design thinking has received an increasing amount of attention from the business community, social organizations, universities and colleges.Organizations are confronted with complex problems and issues that are no longer self-containe, clear or easy to define. The creative solution strategy offered by design thinking appears to be increa...
In 2019, the Vitra Design Museum will publish the Atlas of Furniture Design, the definitive, encyclopedic overview of the history of modern furniture design. Featuring over 1700 objects by more than 500 designers and 121 manufacturers, it includes approximately 2800 images ranging from detailed object photographs to historical images documenting interiors, patents, brochures, and related works of art and architecture. The basis for the Atlas of Furniture Design is the collection held by the Vitra Design Museum, one of the largest of its kind with more than 7000 works. The book presents selected pieces by the most important designers of the last 230 years and documents key periods in design h...