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Spain’s infamous “false chronicles” were alleged to have been unearthed in 1595 in a monastic library deep in the heart of the German-speaking territories of the Holy Roman Empire by the Jesuit priest Jerónimo Román de la Higuera. Though rife with anachronisms and chronological inaccuracies, these four volumes of invented “truths” about Spanish sacred history radically transformed the religious landscape in Counter-Reformation Spain and were not definitively exposed as forgeries until centuries later, after nearly two hundred years of scholarly debate. In this fascinating study, Katrina B. Olds explores the history, author, and legacy of one of the world’s most compelling and c...
Taking as its main subject a series of notorious forgeries by Muslim converts in sixteenth-century Granada (including an apocryphal gospel in Arabic), this book studies the emotional, cultural and religious world view of the Morisco minority and the complexity of its identity, caught between the wish to respect Arabic cultural traditions, and the pressures of evangelization and efforts at integration into “Old Christian” society. Orientalist scholarship in Early Modern Spain, in which an interest in Oriental languages, mainly Arabic, was linked to important historiographical questions, such as the uses and value of Arabic sources and the problem of the integration of al-Andalus within a providentialist history of Spain, is also addressed. The authors consider these issues not only from a local point of view, but from a wider perspective, in an attempt to understand how these matters related to more general European intellectual and religious developments.
Converso and Morisco are the terms applied to those Jews and Muslims who converted to Christianity (mostly under duress) in late medieval Spain. "Converso and Moriscos Studies" examines the manifold cultural implications of these mass convertions.
An in-depth exploration of documentary forgery at the turn of the first millennium Forgery and Memory at the End of the First Millennium takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As Levi Roach illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, Roach examines five sets of falsified texts to demonstr...
Qualsevol curiós de la història creu saber què significa l'expressió «Ploms del Sacromonte»: alguna cosa així com el conjunt de làmines d'aquest metall amb estranys dibuixos i inscripcions llatines i àrabs trobades al tossal de Valparaíso, després Sacromonte, extramurs de la ciutat de Granada, en el període 1595-1599; incloent-se en el conjunt, per la seua íntima i evident imbricació, les restes humanes que les acompanyaven, i, també, la troballa haguda en la Torre Turpiana, al centre del nucli urbà de Granada, en 1588, sempre associada com a pròleg. És l'opció restrictiva, elemental i primària. Hi domina la dimensió fabulosa de la troballa o «invenció» 'com llavors s...
This book explores the appropriation of Islamic architecture by Spanish historians during the sixteenth and seventeenth centuries, illuminating its relationship to the development of Spanish national identity.
The Iberian world played a key role in the global trade of enslaved people from the 15th century onwards. Scholars of Iberian forms of slavery face challenges accessing the subjectivity of the enslaved, given the scarcity of autobiographical sources. This book offers a compelling example of innovative methodologies that draw on alternative archives and documents, such as inquisitorial and trial records, to examine enslaved individuals' and collective subjectivities under Iberian political dominion. It explores themes such as race, gender, labour, social mobility and emancipation, religion, and politics, shedding light on the lived experiences of those enslaved in the Iberian world from the Indian Ocean to the Atlantic. Contributors are: Magdalena Candioti, Robson Pedroso Costa, Rômulo da Silva Ehalt, James Fujitani, Michel Kabalan, Silvia Lara, Marta Macedo, Hebe Mattos, Michelle McKinley, Sophia Blea Nuñez, Fernanda Pinheiro, João José Reis, Patricia Faria de Souza, Lisa Surwillo, Miguel Valerio and Lisa Voigt.
This book shows the influence of medieval musical manuscripts on the articulation of national identity in Enlightenment Spain. For the eighteenth century Jesuit Andrés Marcos Burriel (1719-1762) and his associate the calligrapher Francisco Palomares (1728-1796), the notation that preserved the music of the past was a central source in the study of history.
Hailed as early Christian texts as important as the Dead Sea Scrolls, yet condemned by the Vatican as Islamic heresies, the Lead books of Granada, written on discs of lead and unearthed on a Granadan hillside, weave a mysterious tale of duplicity and daring set in the religious crucible of sixteenth-century Spain. This book evaluates the cultural status and importance of these polyvalent, ambiguous artefacts which embody many of the dualities and paradoxes inherent in the racial and religious dilemmas of Early Modern Spain. Using the words of key individuals, and set against the background of conflict between Spanish Christians and Moriscos in the late fifteen-hundreds, The Lead Books of Granada tells a story of resilient resistance and creative ingenuity in the face of impossibly powerful negative forces, a resistance embodied by a small group of courageous, idealistic men who lived a double life in Granada just before the expulsion of the Moriscos.