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Kzine
Kzine is a kindle magazine with print on demand option covering Science Fiction, Fantasy, Horror and Crime genres.This issue has stories by Jessamy Dalton, Charlotte H. Lee, Fred Senese, Mark Rookyard, Aaron Perry, Maureen Bowden Joshua Chaplinsky and Lynn Rushlau
The Torch
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Blurring Intelligence Crime
This book explores the conundrum that political fortune is dependent both on social order and big, constitutive crime. An act of outrageous harm depends on rules and protocols of crime scene discovery and forensic recovery, but political authorities review events for a social agenda, so that crime is designated according to the relative absence or presence of politics. In investigating this problem, the book introduces the concepts ‘intelligence crime’ and ‘critical forensics.’ It also reviews as an exemplar of this phenomenon ‘apex crime,’ a watershed event involving government in the support of a contested political and social order and its primary opponent as the obvious offender, which is then subject to a confirmation bias. Chapters feature case study analysis of a selection of familiar, high profile crimes in which the motives and actions of security or intelligence actors are considered as blurred or smeared depending on their interconnection in transactional political events, or according to friend/enemy status.
Comus
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Reginald Dalton
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The Aeroplane
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Theatre in Dublin, 1745–1820
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes...
