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Ovid's Tragic Heroines
Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica...
Arete and the Odyssey's Poetics of Interrogation
Arete and the Odyssey's Poetics of Interrogation explores how the enigmatic Phaeacian queen, Arete, is at the heart of an epic-scale "poetics of interrogation" used throughout the Odyssey to negotiate Odysseus' kleos, or epic renown. Arete's interrogation of Odysseus has been especially problematic in scholarship, but diachronic and synchronic analysis of similar interrogations across Indo-European, Orphic, and Greek epigrammatic corpora show that the "stranger's interrogation" is a formula that demands performance and negotiation of status. Within the Odyssey, this interrogation is part of an intraformular network used to generate kleos, and the queen's question initiates the longest and mo...
Tragedy in Ovid
This comprehensive study establishes the importance of an unexpected genre, tragedy, in the career of the most mercurial Western poet.
Ovid's "Heroides" and the Augustan Principate
In Ovid's "Heroides" and the Augustan Principate, Megan O. Drinkwater makes a compelling case for the importance of Ovid's Heroides as a historical and literary testament, elegantly illustrating how Ovid's literary innovation expresses the unease felt by a citizenry subject to the erosion of their public identity.
The Athenian Ephebeia in the Fourth Century BCE
Based on the comprehensive study of the epigraphic and literary evidence, this book challenges the almost universally-held assumptions of modern scholarship on the date of origin, the function, and the purpose of the Athenian ephebeia. It offers a detailed reconstruction of the institution, which in the fourth century BCE was a state-organized and -funded system of mandatory national service for ephebes, citizens in their nineteenth and twentieth years, consisting of garrison duty, military training, and civic education. It concludes that the contribution of the ephebeia was vital for the security of Attica and that the ephebes’ non-military activities were moulded by social, economic, and religious influences which reflect the preoccupations of Lycurgus’ administration in the 330s and 320s BCE.
Neo-Victorianism and the Memory of Empire
Examining the global dimensions of Neo-Victorianism, this book explores how the appropriation of Victorian images in contemporary literature and culture has emerged as a critical response to the crises of decolonization and Imperial collapse. Neo-Victorianism and the Memory of Empire explores the phenomenon by reading a range of popular and literary Anglophone neo-Victorian texts, including Alan Moore's Graphic Novel From Hell, works by Peter Carey and Margaret Atwood, the films of Jackie Chan and contemporary 'Steampunk' science fiction. Through these readings Elizabeth Ho explores how constructions of popular memory and fictionalisations of the past reflect political and psychological engagements with our contemporary post-Imperial circumstances.
The Deaths of the Republic
That the Roman republic died is a commonplace often repeated. This volume examines the body-political imagery used by Roman orators and authors of the first century BCE to express this notion, with particular emphasis on such imagery as a tool of persuasion and the impact which it exerted on Roman politics of the period.
Legendary Rivals: Collegiality and Ambition in the Tales of Early Rome
In Legendary Rivals Jaclyn Neel argues for a new interpretation of the foundation myths of Rome. Instead of a negative portrayal of the city’s early history, these tales offer a didactic paradigm of the correct way to engage in competition. Accounts from the triumviral period stress the dysfunctional nature of the city’s foundation to capture the memory of Rome’s civil wars. Republican evidence suggests a different emphasis. Through diachronic analyses of the tales of Romulus and Remus, Amulius and Numitor, Brutus and Collatinus, and Camillus and Manlius Capitolinus, Neel shows that Romans of the Republic and early Principate would have seen these stories as examples of competition that pushed the bounds of propriety.
Bringing in the Sheaves
The annual harvesting of cereal crops was one of the most important economic tasks in the Roman Empire. Not only was it urgent and critical for the survival of state and society, it mobilized huge numbers of men and women every year from across the whole face of the Mediterranean. In Bringing in the Sheaves, Brent D. Shaw investigates the ways in which human labour interacted with the instruments of harvesting, what part the workers and their tools had in the whole economy, and how the work itself was organized. Both collective and individual aspects of the story are investigated, centred on the life-story of a single reaper whose work in the wheat fields of North Africa is documented in his funerary epitaph. The narrative then proceeds to an analysis of the ways in which this cyclical human behaviour formed and influenced modes of thinking about matters beyond the harvest. The work features an edition of the reaper inscription, and a commentary on it. It is also lavishly illustrated to demonstrate the important iconic and pictorial dimensions of the story.
