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Selections from Herodotus
The writings of Herodotus, historian, observer, and delightful storyteller, have long been favorites among teachers and students of the Greek language. The selections in this book will provide reading in the second year for the student who has begun his or her Greek with Homer and who presumably has had no acquaintance with Attic Greek. The book is equally well fitted for the use of the student who has begun in the orthodox fashion with Attic Greek and followed it by Homer. This second Oklahoma edition is enhanced by Megan O. Drinkwater's addition of chapter and section references to the complete works of Herodotus.
Ovid's "Heroides" and the Augustan Principate
In Ovid's "Heroides" and the Augustan Principate, Megan O. Drinkwater makes a compelling case for the importance of Ovid's Heroides as a historical and literary testament, elegantly illustrating how Ovid's literary innovation expresses the unease felt by a citizenry subject to the erosion of their public identity.
The Cambridge Companion to Latin Love Elegy
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
Maximianus’ ‘Elegies’
This book is the first study to focus on a metaliterary interpretation of Maximianus’ Elegies, and aims to fill a major gap in international literature concerning the thoughts of the last love elegist on the evolution and renovation of the genre of love elegy during Late Antiquity. The book includes all known subjects of Maximianus’ poetry (e.g., the division of his work into six elegies, its attribution to Cornelius Gallus by Pomponius Gauricus in 1502, its reception in recent years, the intellectual milieu of the Ostrogothic Italy, the historical contextualization of his poetry, the Appendix Maximiani, the impact of the Augustan love elegy (and especially Ovid’s) upon it, etc.), in o...
The Ancient Sea
In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an un...
Ancient Love Letters
This volume investigates the form of love letters and erotic letters in Greek and Latin up to the 7th Century CE, encompassing both literary and documentary letters (the latter inscribed and on papyrus), and prose and poetry. The potential for, and utility of treating this large and diverse corpus as a ‘genre’ is examined. To this end, approaches from ancient literary criticism and modern theory of genre are made; mutual influences between the documentary and the literary form are sought; and origins in proto-epistolary poetic texts are examined. In order to examine the boundaries of a form, limit cases, which might have less claim to the label ‘love letter’, are compared with more c...
Reading Roman Pride
Pride is pervasive in Roman texts, as an emotion and a political and social concept implicated in ideas of power. This study examines Roman discourse of pride from two distinct complementary perspectives. The first is based on scripts, mini-stories told to illustrate what pride is, how it arises and develops, and where it fits within the Roman emotional landscape. The second is semantic, and draws attention to differences between terms within the pride field. The peculiar feature of Roman pride that emerges is that it appears exclusively as a negative emotion, attributed externally and condemned, up to the Augustan period. This previously unnoticed lack of expression of positive pride in rep...
Killing Hercules
This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?
Ovid and Masculinity in English Renaissance Literature
Ovid transformed English Renaissance literary ideas about love, erotic desire, embodiment, and gender more than any other classical poet. Ovidian concepts of femininity have been well served by modern criticism, but Ovid's impact on masculinity in Renaissance literature remains underexamined. This volume explores how English Renaissance writers shifted away from Virgilian heroic figures to embrace romantic ideals of courtship, civility, and friendship. Ovid's writing about masculinity, love, and desire shaped discourses of masculinity across a wide range of literary texts of the sixteenth and seventeenth centuries, including poetry, prose fiction, and drama. The book covers all major works b...
Latin Love Poetry
I hate and I love.' The Roman poet Catullus expressed the disorienting experience of being in love in a stark contradiction that has resonated across the centuries. While his description might seem to modern readers natural and spontaneous, it is actually a response planned with great care and artistry. It is that artistry, and the way in which Roman love poetry works, that this book explores. Focusing on Catullus and on the later genre of elegy - so-called for its metre, and a form of poetry practiced by Tibullus, Propertius and Ovid - Denise Eileen McCoskey and Zara Martirosova Torlone discuss the devices used by the major Roman love poets, as well as the literary and historical contexts that helped shape their work. Setting poets and their writings especially against the turbulent backdrop of the Augustan Age (31 BCE-14 CE), the book examines the origins of Latin elegy; highlights the poets' key themes; and traces their reception by later writers and readers.
