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Design is an iteration process that used to solve a variety of problems. It is started from an observation (that covers defining the problem and collecting information), and followed by design and detailed phase (where architects brainstorm, analyse ideas, and develop solutions). And after we get some feedback... we repeat the process to improve our design. The Complete Final Project of 2021 presents various projects with various solutions from INA students, batch 2017. Repetition of observation, design, and detailing phase is applied and expected to create longer-bigger positive solution for project’ users and the environment. Asides from those aims... getting good at something requires consistency and repetition. And it’s the repetition of “Observe-Design-Detailed” phases that leads to design perfection.
Shakespeare, Authority, Sexuality is a powerful reassessment of cultural materialism as a way of understanding textuality, history and culture, by one of the founding figures of this critical movement. Alan Sinfield examines cultural materialism both as a body of ongoing argument and as it informs particular works by Shakespeare and his contemporaries, especially in relation to sexuality in early-modern England and queer theory. The book has several interlocking preoccupations: theories of textuality and reading the political location of Shakespearean plays and the organisation of literary culture today the operation of state power in the early-modern period and the scope for dissidence the ...
First published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.
Most eighteenth-century literary scholarship implicitly or explicitly associates the major developments in English literature and culture during the rise of modernity with a triumphant and increasingly tolerant Protestantism while assuming that the English Catholic community was culturally moribund and disengaged from Protestant society and culture. However, recent work by historians has shown that the English Catholic community was a dynamic and adaptive religious minority, its leaders among the aristocracy cosmopolitan, its intellectuals increasingly attracted to Enlightenment ideals of liberty and skepticism, and its membership growing among the middle and working classes. This community ...
David B. Goldstein argues for a new understanding of Renaissance England from the perspective of communal eating. Rather than focus on traditional models of interiority, choice and consumption, Goldstein demonstrates that eating offered a central paradigm for the ethics of community formation. The book examines how sharing food helps build, demarcate and destroy relationships – between eater and eaten, between self and other, and among different groups. Tracing these eating relations from 1547 to 1680 - through Shakespeare, Milton, religious writers and recipe book authors - Goldstein shows that to think about eating was to engage in complex reflections about the body's role in society. In the process, he radically rethinks the communal importance of the Protestant Eucharist. Combining historicist literary analysis with insights from social science and philosophy, the book's arguments reverberate well beyond the Renaissance. Ultimately, Eating and Ethics in Shakespeare's England forces us to rethink our own relationship to food.
Kept women, comic clerics, and political schemers enliven the four plays in this volume of the California Dryden. Dryden asserted that The Kind Keeper was a moral play, dedicated to exposing the "crying sin" of keeping a mistress. The production was closed after three nights, but whether because of the play's success in moralizing, or in exposing, is hard to know.
Marriage and Land Law in Shakespeare and Middleton examines the dynamics of early modern marriage-making, a time-honored practice that was evolving, often surreptitiously, from patriarchal control based on money and inheritance, to a companionate union in which love and the couple’s own agency played a role. Among early modern playwrights, the marriage plays of Shakespeare and Middleton are particularly, though not uniquely, concerned with this evolution, observing the movement towards spousal choice determined by the couple themselves. Through the late Elizabethan and early Jacobean period, the role of the patriarch, though often compromised, remained intact: the father or guardian negoti...
From Chaucer to Chatwin, this guide presents characters from novels, plays and poems in vivid summaries. It contains more than 6,500 detailed entries, and is fully cross-referenced
DIVAn indispensable dictionary of characters and names with over 3,000 entries, this volume covers all 36 of the Bard's plays, in addition to his poems and sonnets. /div