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This Ghostly Poetry explores the fraught relationship between poetry and literary history in the context of the Spanish Civil War, its aftermath, and ongoing debates about historical memory in Spain.
Originally written in French, The Kindly Ones (2006) is the first major work of the Jewish-American author Jonathan Littell. Its extraordinary critical and commercial success, spawning a series of heated debates, has made this publication one of the most significant literary phenomena of recent years. Taking the Holocaust as its central topic, The Kindly Ones is a disturbing novel: disturbing in its use of explicit sexual descriptions, in its construction of a perverted psychic world, in its combination of accurate historical descriptions and myths, and in its repeated suggestion that Nazism does not, in fact, lie outside the spectrum of humanness. Due to its striking monumental proportions ...
A filmographic and bibliographic guide to the screen adaptations of the story of Carmen. 'Carmen' on Screen is a filmographic and bibliographic guide for scholars interested in the different versions of the story of Carmen in film since her original appearance in Mérimée's novella and its operatic adaptation byBizet. With over 110 screen versions between 1894 and 2005, it is the most adapted narrative in film. The volume offers: chronological listings of 82 feature films with credits and annotations of scholarly articles, selected citations of reviews and news articles, and listings of more general works on film adaptations of opera; works on the novella or on the opera; and, finally, lists of works on the 12 major female and 8 major male stars in the 82feature films. ANN DAVIES lectures in Spanish Studies and Film at the University of Newcastle; PHIL POWRIE is Professor of French Cultural Studies at the University of Newcastle.
Iberian Crime Fiction is the first volume in English to provide an extensive overview of crime fiction in Spain and Portugal. While the origins of peninsular crime fiction are traced in Nancy Vosburg's introductory chapter to the volume, the essays focus on specific topics that provide readers with a sense of the development of the genre in the second half of the 20th-century and current trends in the 21st-century. Patty Hart, whose The Spanish Sleuth introduced English-speaking readers to early crime fiction in Spain, provides a summary account of the development of the crime novel from the 1950s through the 1980s, highlighting the major authors and works that set the stage for the boom tha...
‘This is an impressive book. In writing it the author demonstrates great talent, as well as great courage.’ —Mario Vargas Llosa If I succeed in understanding who he was before I was born, perhaps I will be able to understand who I am now that he is dead...In this sprawling family saga stretching across Latin America, a son embarks on a journey to understand his complex relationship with his father and how it shaped the man he is today. Recalling Gabriel García Márquez’s One Hundred Years of Solitude and Isabel Allende’s House of the Spirits , the renowned journalist and writer Renato Cisneros probes deep into his own family history to try to come to terms with his father, General Luis Federico ‘The Gaucho’ Cisneros, a leading, controversial figure in the oppressive military regime that held power in Peru during the 1970s and 1980s, a tortuous period marked by state-sanctioned terrorism and the rise of the Shining Path.Selling over 35,000 copies in Peru alone, The Distance Between Us is at once excruciating in its honesty and deeply moving in its universal relevance. Selected for a slew of international prizes, it is now available in English for the first time.
Scholarship often presumes that texts written about the Shoah, either by those directly involved in it or those writing its history, must always bear witness to the affective aftermath of the event, the lingering emotional effects of suffering. Drawing on the History of Emotions and on trauma theory, this monograph offers a critical study of the ambivalent attributions and expressions of emotion and “emotionlessness” in the literature and historiography of the Shoah. It addresses three phenomena: the metaphorical discourses by which emotionality and the purported lack thereof are attributed to victims and to perpetrators; the rhetoric of affective self-control and of affective distancing...
"Writers, publishers, readers and scholars have stopped apologising for the short story: the genre is no longer a bad investment, a trial-exercise for a novel or a minor entertainment, as demonstrated by exceptional writers with an almost exclusive dedication to it, such as Jorge Luis Borges, Alice Munro, Quim Monzâo or Cristina Fernâandez Cubas. With deep roots in classic and medieval literatures, and great achievements in the nineteenth- and twentieth-centuries, the genre of the short story, which benefits from the linguistic tightness of poetry and the narrative comforts of the novel, has finally been recognised as having a (hybrid) identity of its own. This volume re-edits and expands ...
The Emperor of Mali, along with ten thousand of his subjects and camels, travels through the Saharan Desert while making his pilgrimage to Mecca, Hajj, spending money without any limit and turning the city of Timbuktu into the cultural and religious capital of Western Africa. A perfectly well documented novel about the mesmerizing life of Mansa Musa, Emperor of Mali in the fourteenth century, 1312-1337, and his reign, whose Empire, located in Western Africa, extended through the territory that is occupied today by Southern Mauritania, Senegal, Gambia, Guinea, Mali, Burkina Faso, Niger, Southern Algeria, Northern Nigeria and Chad. This is the story of the man who managed to rule over the totality of the production and trade of gold, salt and slaves from the jungle of Western Africa to the Mediterranean.
A son looks back on the family history that shaped him and led to his father's leading role in a brutal dictatorship.