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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
There follows an up-to-date bibliography of the plays, from editions contemporary with the author through those published posthumously; it includes translations of the dramas into many languages, as well as a selection of critical studies worldwide."--Jacket.
Female sexuality as expressed both in the art of women and in images of women in art is the focus of this collection of thirteen essays -- the second in a three-volume series on women, the arts, and society. The idea that art created by a woman has a particular relationship to the female body is explored by most of these essays.
This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of...
In virtually every aspect of human behavior, ritual, language, and art, perceptions are organized through the act of framing. In the writing of Benito Perez Galdós, Spain's most prolific and innovative nineteenth-century novelist, Hazel Gold finds this principle insistently at work. By exploring Galdós's methods of structuring and evaluating literary and historical experience, Gold illuminates the novelist's art and uncovers the far-reaching narratological, social, and epistemological implications of his framing strategies. A close look at Galdós's novels reveals the artist at pains to contain and interpret what he perceived to be the distinctive and often disheartening experience of bour...
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Este es el primer estudio exhaustivo que se hace sobre el teatro español del XIX, género de importancia capital que produjo más de 10.000 obras a lo largo del siglo. De todo este material –en su mayor parte desconocido hasta la fecha– David Gies incluye en su análisis los textos, la dimensión de las puestas en escena y la repercusión de los espectáculos. Su libro aclara aspectos sobre el drama político de la época de la invasión napoleónica, el teatro escrito por mujeres, el teatro socialista, el drama neorromántico, la relación entre parodia y corrientes teatrales dominantes, y el desafío dramático de Galdós. Este ameno estudio permitirá al fin que estudiantes y expertos puedan reconsiderar adecuadamente el canon textual.