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The Path of the Ocean is the first anthology of representative Polynesian poetry to be offered as a book of poetry rather than as a ethnological or historical document. Guided primarily by literary taste, Marjorie Sinclair has gathered poems from many sources and from translations with many kinds of expertise. She has scrupulously edited the old translations, modernized where necessary, and in some cases has translated or adapted the poetry. The arrangement of the anthology is rough geographic. It begins with Hawaii and travels southward, sometimes to the east and sometimes to the west until finally New Zealand is reached. As the title suggests, a journey that conveys scope, complexity, and deep humanity of the poetic spirit of the Polynesians.
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Is chess an art, a science or a sport? This is one of the most commonly asked questions about chess, but it admits of no easy answer. Most chess activities involve a combination of all three components, but different areas of chess emphasize different aspects. The sporting element predominates in the over-theboard game, while the protracted battles of postal chess stress the scientific side. The third element, the artistic component, finds its best expression in the field of chess composition. Over the- board players often ignore composed positions, or if they do pay attention, they concentrate on endgame compositions of direct relevance to practical play. In turning their backs on the world of chess problems, they are missing out on a great deal of enjoyment. It is true that studying chess problems will never improve anybody's play, but not everything has to have a strictly functional justification. The many fascinating examples which follow can give a great deal of pleasure to anyone interested in seeing the chess pieces stretched to their limits. This book will conduct the reader on a detailed tour around one part of the world of chess composition.
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The only Freudian to have been originally trained in folklore and the first psychoanalytic anthropologist to carry out fieldwork, Gza Rcheim (1891-1953) contributed substantially to the worldwide study of cultures. Combining a global perspective with encyclopedic knowledge of ethnographic sources, this Hungarian analyst demonstrates the validity of Freudian theory in both Western and non-Western settings. These seventeen essays, written between 1922 and 1953, are among Rcheim's most significant published writings and are collected here for the first time to introduce a new generation of readers to his unique interpretations of myths, folktales, and legends. From Australian aboriginal mythology to Native American trickster tales, from the Grimm folktale canon to Hungarian folk belief, Rcheim explores a wide range of issues, such as the relationship of dreams to folklore and the primacy of infantile conditioning in the formation of adult fantasy. An introduction by folklorist Alan Dundes describes Rcheim's career, and each essay is prefaced by a brief consideration of its intellectual and bibliographical context.