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The Fifty Years War
Since the creation of the state of Israel in 1948, the region has been the scene of fierce power struggles, injustice and tragic events - a situation which persists to this day. Now for the first time, an Israeli-Arab author collaboration is tackling one of the world's most controversial situations. Published to accompany a six-part BBC television series by the makers of the award-winning DEATH OF YUGOSLAVIA, this myth-breaking book draws on candid interviews with key protagonists in the struggles - many of whom have never before spoken out - to reveal behind-the-scenes events and put the record straight. This is a definitive insiders' account of war and peace in the Middle East.
Israel and the Arabs
Drawing on Hundreds of In-depth Interviews with Politicians, soldiers, and journalists from sixteen countries, Israel and the Arabs is an eyewitness account of the history of Israel's relations with its Arab neighbors. Updated with a new afterword for this paperback edition, Israel and the Arabs also includes a never-before-published transcript of a conversation between Jordan's late King Hussein and Israeli Prime Minister Golda Meir taped ten days before the 1973 war and an interview with Shams el-din Badran, Egypt's Minister of War in 1967, which provides insights into the role of the former Soviet Union in provoking the Six-Day War. This unique Israeli-Arab collaborative work tackles one of the worlds most complex and controversial situations from both sides of the firing line.
Cinema Today
In Cinema Today, Elena Oumano has ingeniously crafted a conversation from her personal and individual interviews with a distinguished group of international cinema legends. She follows a lively symposium-in-print format, with the filmmakers' words and thoughts grouped together under various key cinema topics. Collectively these artists reflect on and explore issues and concerns of modern filmmaking, from the practical to the aesthetic, including the process, cinematic rhythm and structure, and the many aspects of the media: business, the viewer, and cinema's place in society.
Opening Pandora's Box
This is a true and harrowing story of survival in the face of mindless, almost casual brutality, betrayal, cultural and religious hypocrisy. This story is told by two people from different cultures-one from the East and one from the West. Looking beyond the pain of their lives; these two people transcend cultural nuances that mask the common denominators of humanity. Denny is English, Christian, an ex-entertainer and singer. He was blinded by a mugger in London in 1991. Ali is originally from Lebanon, Muslim, and a successful industrial chemist with a pharmaceutical company in Geneva. They have discovered, since they met, some of the most remarkable parallels in their lives, including many dark secrets. Coming to terms with their pasts has provided the opportunity to explore apparent differences. In addition, these so-called unbridgeable chasms turn out to be little more than surface noise disguising deep common themes, and this is one of the major revelations of this book.
The fifty years war
"Published to accompany the television series ... which was first broadcast in Spring 1998"--T.p. verso.
African Cinema: Manifesto and Practice for Cultural Decolonization
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
History of South Africa
South Africa was born in war, has been cursed by crises and ruptures, and today stands on a precipice once again. This book explores the country's tumultuous journey from the Second Anglo-Boer War to 2021. Drawing on diaries, letters, oral testimony and diplomatic reports, Thula Simpson follows the South African people through the battles, elections, repression, resistance, strikes, insurrections, massacres, crashes and epidemics that have shaped the nation. Tracking South Africa's path from colony to Union and from apartheid to democracy, Simpson documents the influence of key figures including Jan Smuts, Nelson Mandela, Steve Biko, P.W. Botha, Thabo Mbeki and Cyril Ramaphosa. He offers det...
Nationalism and National Projects in Southern Africa
Despite the fact that nationalism and its national projects have in recent years been severely criticised by postcolonial theorists for being fundamentalist and essentialist; by feminists for being patriarchal and exclusive; by global financial institutions for being antagonistic to development and globalisation; by Pan-Africanists for being anticontinental unity; and by those Africans born after decolonisation for being irrelevant; Sabelo J. Ndlovu-Gatsheni and Finex Ndhlovu's book convincingly argues that nationalism has defied its death and displayed remarkable resilience and resonance. Since the end of the Cold War, what has been poignant has been the enduring contest, tensions and contr...
Routledge Handbook on Arab Cinema
Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema. The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts: Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films. Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema. Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers. This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.
