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Hausfrau
Hausfrau is the exceptional debut novel from the prize-winning American poet, Jill Alexander Essbaum. 'The Book that will have everyone talking' Cosmopolitan Anna Benz, an American in her late-thirties, lives with her Swiss husband, Bruno - a banker - and their three young children, in a postcard-perfect suburb of Zürich. Though she leads a comfortable life, she is falling apart inside. Adrift and increasingly unable to connect with Bruno, or even her own feelings, Anna tries to rouse herself with new experiences: German language classes, Jungian analysis, and a series of sexual affairs she enters with an ease that surprises her. But she soon finds that she can't easily extract herself from these relationships. Having crossed a moral threshold, Anna will discover where a woman goes when there is no going back . . .
Harlot
Few poets' roots go deeper than the Romantics; Jill Alexander Essbaum's reach all the way to the Elizabethans. In her Harlot one hears Herbert and Wyatt and Donne, their parallax view of religion as sex and sex as religion, their delight in sin, their smirking penitence, their penchant for the conceit, their riddles and fables, their fondling and squeezing of language. But this "postulant in the Church of the Kiss" is a twenty-first century woman, a "strange woman" less bowed to confession than hell-bent on fairly bragging of threesomes and more complications than were wet-dreamt of in Mr. W. H.'s philosophy. - H. L. Hix
The Devastation
A long-poem chapbook from the author of Harlot (No Tell Books) and a 2013 NEA Fellow in Poetry. Listen to Jill Alexander Essbaum on the December '09 edition of the Poetry Magazine Podcast. Born in Bay City, Texas, poet and editor Jill Alexander Essbaum was educated at the University of Houston, the University of Texas, and the Episcopal Seminary of the Southwest. Influenced by Edna St. Vincent Millay, Simon Armitage, and Sylvia Plath, Essbaum's poems bring together sex, divinity, and wordplay, blithely working with received forms and displaying a nuanced attention to rhyme and meter. Speaking to this unusual combination of themes in an interview with Eratosphere, Essbaum observed, "Why the p...
Hausfrau
Anna Benz, an American woman in her thirties, lives in comfort and affluence with her Swiss banker husband and their three young children in a picture-perfect suburb of Zurich. Despite the tranquility and order of her domestic existence, Anna is falling apart. In an effort to restart her life, she turns to Jungian analysis, German language classes, and a series of extramarital affair, whose consequences she cannot foretell.
Would-Land
The 2020 collection by poetry and novelist Jill Alexander Essbaum, Would-Land is a collection of love, loss, coupling, uncoupling, coupleting, incompleting, faith, forgiveness.
Necropolis
Award-winning poet Jill Alexander Essbaum takes her reader on a three-day journey through death and grief. Filled with her trademark sensuality and humor, here Essbaum also addresses issues of faith, fiercely questioning God while also trusting in the promise of resurrection.
Heaven
A cycle of poems based on the Christian liturgical calendar and the books of the Bible.
Shy Green Fields
Hugh Behm-Steinberg's Shy Green Fields is in company with books by poets who wrote about glorious ordinary days in extraordinary times. In a pillowbook of a hundred seven-line poems, this life, as it is written, has the shadow of Robert Creeley's A Day Book behind it, and the shadow of Federico Lorca in his famous, reiterated line, "Green, I love you, green, ..." a specific, and pacific, emotional response in difficult political times. Behm-Steinberg's book is, likewise, carnal, primal, and intellectual. Shy Green Fields exults in experience, "Such versions!"--Jane Miller
Beauty is a Verb
Chosen by the American Library Association as a 2012 Notable Book in Poetry. Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace. "[BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." —Ron Silliman, author of In The American Tree "This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stun...
The Best American Poetry 1996
From Simon & Schuster, in its ninth year, The Best American Poetry 1996 is universally acclaimed as the best anthology in the field. The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.
