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Shy Green Fields
Hugh Behm-Steinberg's Shy Green Fields is in company with books by poets who wrote about glorious ordinary days in extraordinary times. In a pillowbook of a hundred seven-line poems, this life, as it is written, has the shadow of Robert Creeley's A Day Book behind it, and the shadow of Federico Lorca in his famous, reiterated line, "Green, I love you, green, ..." a specific, and pacific, emotional response in difficult political times. Behm-Steinberg's book is, likewise, carnal, primal, and intellectual. Shy Green Fields exults in experience, "Such versions!"--Jane Miller
Animal Children
Poetry. Fiction. California Interest. Classroom guide and introduction written by author inside. The brief narratives in ANIMAL CHILDREN by Hugh Behm-Steinberg work like a deceptively simple pinhole camera, a way of gazing at the deepest secrets of the heart through a lens of surrealism, humor, and pathos that renders clear that which is too intense, too personal, or too profound to be directly gazed upon. From the inner workings of 4-H clubs raising prize-winning nuns to the trials and tribulations of dating (and breaking up with) Death and Nature, to the insistence of cattle demanding to learn Kung Fu and people falling asleep during poetry readings, you will leave this book cleansed of your illusions, dazzled by hypnotic story-telling, and filled with a sense of wonder that lasts and lasts.
The Freedom to Be Free
This lecture is a brilliant encapsulation of Arendt’s widely influential arguments on revolution, and why the American Revolution—unlike all those preceding it—was uniquely able to install political freedom. “The Freedom to be Free” was first published in Thinking Without a Banister, a varied collection of Arendt’s essays, lectures, reviews, interviews, speeches, and editorials—which, taken together, manifest the relentless activity of her mind and character and contain within them the articulations of wide and sophisticated range of her political thought. A Vintage Shorts Selection. An ebook short.
How to Become a Writer
Taken from award-winning writer Lorrie Moore's debut short story collection Self-Help (1985), How To Become a Writer is a wryly witty deconstruction of tips for aspiring writers, told in vignettes by a self-absorbed narrator who fails to observe the wrold around her. A modern classic, this story has been pulled out to accompany the launch of the Faber Modern Classics list.
The New Valley
From the author of The Great Glass Sea, three linked novellas set between the Virginias about men confronting love, loss, and personal demons. Set in the hardscrabble hill country between the Virginias, The New Valley contains characters striving to forge new lives in the absence of those they have loved. Told in three varied and distinct voices—a soft-spoken middle-aged beef farmer struggling to hold himself together after his dad’s death; a health-obsessed single father desperate to control his reckless, overweight daughter; and a developmentally delayed man who falls in love with a married woman intent on using him in a scheme that will wound them both—each story explores survival, isolation, and the deep, consuming ache for human connection. As the men battle against grief and solitude, their heartache leads them all to commit acts that will bring both ruin and salvation, in these tales “full of tenderness and looming menace” (The New York Times Book Review). “Stark and haunting . . . Delivers great beauty” —Publishers Weekly, starred review “[Weil’s] language is exquisite, his sentences glorious. . . . Refreshing and engaging.” —Ploughshares
"Map of Domesticity"
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Letters to Jargon
Gathers some of the most intimate, personal writing on life and the art of poetry by a crucial figure in late twentieth-century American letters Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner's poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet. Eigner's correspondence with Williams began in the early 1950s, as the two were in conversation over the manusc...
God Damsel
Reb Livingston (hymnographer, crier of laments, wry chronicler of blockages, seepages and Thingamabobs) combs the spiritual runes, tunes and ruined stockings that remain after traffic between the sexes. God Damsel is a fractured, fractious and funny allegory which just might get biblical on your ass. Check it out. -Tom Beckett
Never Cry Woof
Santa Fe. the swagger of the ransom of the made-up funeral "Leave me alone Tony Randall" All accidents are intentional, but they're still accidents, buddy. "The planets that are our brains orbit fitfully" Look at Richard playing the piano with that shitface grin.. I've gotta go steal some whiskey now to drink with Ol' Roison the Beau. Take a look at a teenage harmony. "I got angry at the wastebasket there. " Some poets have images passing through their eyes like melting ore until their sockets seal shut . Shafer, hand, foot, etc . "his lungs are well supplied with blood" "Lemme get one of them Roman Coin datebooks" With rocks, salt and nails. We don't have to take this one down Garth. "To own a boat must be a pleasure" -- Eddie Berrigan
