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Presents of Mind is a reprint of Kacian's award-winning first full-length book, this time with Japanese translations by the Kon Nichi Haiku Circle, the first time such serious, scholarly treatment has been afforded a book of English-language haiku. --Red Moon Press.
An anthology of more than 800 poems that were originally written in English by over 200 poets from around the world. This collection tells the story for the first time of Anglophone haiku, charting its evolution over the last one hundred years and placing it within its historical and literary context.
The New Resonance community welcomes its latest group of inductees - Jo Balistreri, Susan Burch, Jenny Fraser, Simon Hanson, Kristen Lindquist, Hannah Mahoney, Matthew Markworth, Lori A Minor, Matthew Moffett, Michael Nickels-Wisdom, Keith Polette, Bryan Rickert, Tom Sacramona, Robin Anna Smith (GRIX), Mary Stevens, Debbie Strange and Stephen Toft - bringing the group to more than 200 members. The purpose of the New Resonance series is to showcase emerging talent in the field of English-language haiku, and to provide space where their individual voices might be recognized. The series, which began in 1999, is edited by Jim Kacian and Julie Warther.
"The tanka anthology is a compendium of more than 800 poems by nearly 70 poets from around the world, the foremost practitioners of the ancient and modern genre of tanka. While poets continue to experiment, the contemporary tanka in English may be described as typically an untitled free-verse short poem having anywhere from about twelve to thirty-one syllables arranged in words and phrases over five lines, crafted to stand alone as a unitary, aesthetic whole - a complete poem. Excepting those written in a minimalist style, a tanka is about two breaths in length when read aloud. During the last thirty years, it has emerged as a robust short form that is identifiable as a distinct verse type while being extremely variable in its details."--BOOK JACKET.
Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This fifth volume in an award-winning annual series of the best in haiku and related forms written in English includes more than 200 works by 150 authors from 20 countries. A staff of II internationally renowned poets selected the poems from more than 200 sources, including books, magazines and the internet.
A collection of haiku about nature, each illustrated with two related color photographs.
A New Resonance is a biennial anthology of emerging new voices in English-language haiku. This is the 11th such volume, and features 17 poets from around the world who have begun to make a name for themselves in the genre. The New Resonance community now numbers 187 poets from the past 20 years, many of whom have gone on to become leading poets, critics and teachers of haiku in English in many cultures around the globe.
Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships between haiku and other arts, such as essay writing, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition. By analyzing the poets who played major roles in the development of haiku and its related genres, these essays illustrate how Japanese haiku poets, and American writers such as Emerson and Whitman, were inspired by nature, especially its beautiful scenes and seasonal changes. Western poets had a demonstrated affinity for Japanese haiku which bled over into other art mediums, as these chapters discuss.
The proliferation of poets engaged in haiku continues, both in popular culture and in a more serious literary vein. A New Resonance 2 features 18 poets whose work is just becoming known on an international level of haiku, and gives each poet sufficient space to permit his or her voice to emerge. The first volume of the series, issued two years ago, won a Haiku Society of America Merit Book award for best anthology.