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Association of Recorded Sound Collections Awards for Excellence Best Research in Recorded Blues, Hip-Hop, Rhythm & Blues – Certificate of Merit (2014) For more than fifty years, Chicago drummer Jimmi Mayes served as a sideman behind some of the greatest musicians and musical groups in history. He began his career playing the blues in the juke joints of Mississippi, sharpened his trade under the mentorship of drum legends Sam Lay and Fred Below in the steamy nightclubs of south Chicago, and hit it big in New York City behind such music legends as Tommy Hunt from the Flamingos, Marvin Gaye, and James Brown. Mayes played his drums behind blues giants Little Walter Jacobs, Jimmy Reed, Robert J...
The unforgettable life story of one amazing musician touring and playing with Jimi Hendrix, Jimmy Reed, Marvin Gaye, and many more
A close look at the lives of working musicians who aren't the center of their stage.
A pictorial biography of Blues legends B.B. King, Muddy Waters, John Lee Hooker, Howlin' Wolf, Sonny Boy Williamson, and many others.
The legendary Jimi Hendrix has had all kinds of superlatives bestowed on him since his incendiary debut in 1966, but Lou Reed’s pithy summation beats the lot: ‘...he was such a bitching guitar player’. Jimi Hendrix On Track explores each thrilling song and album, drawing out exactly what made Hendrix not only a great guitarist but also a vocalist, arranger, interpreter, producer and songwriter of genius. Hendrix’s revolutionary albums with The Experience and Band of Gypsys are discussed in detail, as are his posthumous releases from First Rays of the Rising Sun to Both Sides of the Sky. His early work as a session player for acts like The Isley Brothers, Little Richard and even Jayne...
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Journalist, activist, popular historian, and public intellectual, Lerone Bennett Jr. left an indelible mark on twentieth-century American history and culture. Rooted in his role as senior editor of Ebony magazine, but stretching far beyond the boundaries of the Johnson Publishing headquarters in Chicago, Bennett’s work and activism positioned him as a prominent advocate for Black America and a scholar whose writing reached an unparalleled number of African American readers. This critical biography—the first in-depth study of Bennett’s life—travels with him from his childhood experiences in Jim Crow Mississippi and his time at Morehouse College in Atlanta to his later participation in a dizzying range of Black intellectual and activist endeavors. Drawing extensively on Bennett’s previously inaccessible archival collections at Emory University and Chicago State, as well as interviews with close relatives, colleagues, and confidantes, Our Kind of Historian celebrates his enormous influence within and unique connection to African American communities across more than half a century of struggle.
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The indispensable consumers' guide to the music of Jimi Hendrix, now widely acclaimed as the most gifted instrumentalist in the history of rock.An album by album, track by track, run-down of all music recorded and released by Hendrix, from his earliest American Recordings through the Jimi Hendrix Experience to the many posthumous releases. Features include...An album by album, track by track analysis of Hendrix's best workInformation on when and where the music was recordedA rundown on expoitative recordings that are best avoidedA track index for easy referenceSixteen page colour section