Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Hybrid Rice
None
Hawthorn
One of humankind’s oldest companions, the hawthorn tree, is bound up in the memories of every recorded age and the plot lines of cultures all across the Northern Hemisphere. Hawthorn examines the little-recognized political, cultural, and natural history of this ancient spiky plant. Used for thousands of years in the impenetrable living fences that defined the landscapes of Europe, the hawthorn eventually helped feed the class antagonism that led to widespread social upheaval. In the American Midwest, hawthorn-inspired hedges on the prairies made nineteenth-century farming economically rewarding for the first time. Later, in Normandy, mazelike hedgerows bristling with these thorns nearly cost the Allies World War II. Bill Vaughn shines light on the full scope of the tree’s influence over human events. He also explores medicinal uses of the hawthorn, the use of its fruit in the world’s first wine, and the symbolic role its spikes and flowers played in pagan beliefs and Christian iconography. As entertaining as it is illuminating, this book is the first full appreciation of the hawthorn’s abundant connections with humanity.
Memory, Fluid Identity, and the Politics of Remembering
The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of history, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li’s critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering: The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that “memory works” not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment.
Cunning Husband's Lovely Wife
When Song Yu saw the customer, he had sneaked out. He hadn't thought that he would run into a classmate that was deliberately making things difficult for her. A man as calm as the wind and as beautiful as the moon, this was the impression she had of him. However, she didn't know that she was never simple in his heart.
Under The Hawthorn Tree
Jingqiu, an innocent young woman from a politically questionable family in the city, is selected as one of a small group of students to be sent to the countryside to work on a project that will further the Cultural Revolution. Clever, curious and eager, she tries to fit in with her hosts and the rural way of life, and it isn't appropriate for her to fall in love. But she does, with the son of a mighty army general. This beautiful, simple story of love against the odds will break your heart.
The Conceited Crown Princess
Once transmigrated, she became the trash + ugly girl that everyone ridiculed. Ugly girl? She touched her face, a trace of a charming smile curling up at the corner of her lips. "I don't think so ..." Trash? When did these two words become synonymous with my Evil Phoenix? Heh — Her cold eyes opened, and she spoke in a cold voice, "I shall return the humiliation that you have suffered one day for me to pay me back in your stead from now on ..." Possessing one's soul, the world suddenly changed to cure the poison. Abandoning one's fiance, abusing trash of a girl and dominating cold man. Let's see how she can reverse the situation and shine in a foreign world!
Fragmented Memories and Screening Nostalgia for the Cultural Revolution
Fragmented Memories and Screening Nostalgia for the Cultural Revolution argues that films and TV dramas about the Cultural Revolution made after China’s accession to the WTO in 2001 tend to represent personal memories in a markedly sentimental, nostalgic, and fragmented manner. This new trend is a significant departure from earlier films about the subject, which are generally interpreted as national allegories, not private expressions of grief, regret or other personal feelings. With China entering a postsocialist era, the ideological conflation of socialism and global capitalism has generated enough cultural ambiguity to allow a space for the expression of personalized reminiscences of th...
Yishu
None
