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Half Sound, Half Philosophy
  • Language: en
  • Pages: 240

Half Sound, Half Philosophy

From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the ...

The Other Digital China
  • Language: en
  • Pages: 321

The Other Digital China

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

Westerners tend to equate political action with revolution and open criticism, leading to concerns that the less outspoken citizens of nonliberal societies are brainwashed, complicit, or paralyzed by fear. Jing Wang shatters this myth, showing how online activists in China are quietly building powerful coalitions for incremental social change.

Cinema and Desire
  • Language: en
  • Pages: 361

Cinema and Desire

  • Type: Book
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  • Published: 2020-05-05
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  • Publisher: Verso Books

Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong. Cinema and Desire presents Dai Jinhau's best work to date. In it she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqin's Human, Woman, Demon as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s' urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.

You Good Me Good
  • Language: en
  • Pages: 138

You Good Me Good

  • Type: Book
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  • Published: 2007-04-04
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  • Publisher: AuthorHouse

This book is mostly about the real funny stories, all ofwere the authorhad met in the nearly two years after he setted foot at the England. These funny stories it wasn't just for joking, laughing. As a Chinese author, he want build up a bridge between the English and Chinese through his stories, of course doesn't matter the bridge was a English style or Chinese style.As the author said: 'Under the morden condition, the globe became a small village, the human became a big family'. We need know each other as well, these stories maybe could help you a bit.Anyway, as a Chinese saying: 'Whenever you open a book, you'll be benefited'.

High Culture Fever
  • Language: en
  • Pages: 386

High Culture Fever

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Brand New China
  • Language: en
  • Pages: 428

Brand New China

'Brand New China' offers a detailed, penetrating and up-to-date portrayal of branding and advertising in contemporary China. Wang takes readers inside an advertising agency to show the influence of American branding theories and models and also examines the impact of new media practices on Chinese advertising.

Under the Same Blue Sky
  • Language: en
  • Pages: 146

Under the Same Blue Sky

  • Type: Book
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  • Published: 2007-07-23
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  • Publisher: AuthorHouse

Under the Same Blue Sky is the author's second book, the most part of the stories were suffered by the author himself, part of the stories were suffered by the auhtor's friends or heard, but all of them were true mostly. As author's main opinion in the book, as members of the big human family, everybody should understand each other much better, help each other more. Under the same blue sky, of course there are shinning, shadow, raining, snowing, thunder...Every body maybe easily to suffer all of the different, But the different mind maybe caused different feelings, so doing everything depend on the mind to get the different conclutions or results. The author wish everybody should think about You Good Me Good. Be like to help otherbody nothing to lost from you and will constructed a more harmonnious human family.

The Story of Stone
  • Language: en
  • Pages: 364

The Story of Stone

In this pathbreaking study of three of the most familiar texts in the Chinese tradition--all concerning stones endowed with magical properties--Jing Wang develops a monumental reconstruction of ancient Chinese stone lore. Wang's thorough and systematic comparison of these classic works illuminates the various tellings of the stone story and provides new insight into major topics in traditional Chinese literature. Bringing together Chinese myth, religion, folklore, art, and literature, this book is the first in any language to amass the sources of stone myth and stone lore in Chinese culture. Uniting classical Chinese studies with contemporary Western theoretical concerns, Wang examines these...

China's Avant-Garde Fiction
  • Language: en
  • Pages: 300

China's Avant-Garde Fiction

DIVAn anthology of translated short stories from Chinese writers of the 1980s. Authors considered “avant-garde” because work reflects the seriousness of revolutionary concerns, the disinterest in the progress of the Chinese nation and celebra/div

When
  • Language: en
  • Pages: 288

When "I" was Born

In the period between the 1920s and 1940s, a genre emerged in Chinese literature that would reveal crucial contradictions in Chinese culture that still exist today. At a time of intense political conflict, Chinese women began to write autobiography, a genre that focused on personal identity and self-exploration rather than the national, collective identity that the country was championing. When "I" Was Born: Women's Autobiography in Modern China reclaims the voices of these particular writers, voices that have been misinterpreted and overlooked for decades. Tracing women writers as they move from autobiographical fiction, often self-revelatory and personal, to explicit autobiographies that f...