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Sleep disorders encompass a range of conditions that can significantly impact overall health, safety, and quality of life. Symptoms of sleep disorders include excessive daytime sleepiness, irregular breathing or movements during sleep, disrupted sleep, and difficulty falling asleep. If these conditions are not promptly and effectively treated, patients often experience various physical and mental complications, such as psychiatric disorders, cardiovascular disease, stroke, type 2 diabetes, and obesity, leading to a decreased overall quality of life. Complementary and alternative therapy (CAT) presents a potential approach for the prevention and treatment of sleep disorders. It encompasses a range of management practices, including cognitive behavioral therapy, exercise, mindfulness, meditation, transcranial magnetic stimulation, yoga, herbal medicine, acupuncture, acupressure, Gua Sha, moxibustion, Qigong, Tai Chi, acupoint catgut embedding, acupotomy, nutritional supplements, and vitamin supplements. However, the adoption of CAT for sleep disorders in clinical practice faces numerous challenges due to a limited understanding of their mechanisms and clinical effects.
During the early communist period of the 1950s, temple fairs in China were both suppressed and secularized. Temples were closed down by the secular regime and their activities classified as feudal superstition and this process only intensified during the Cultural Revolution when even the surviving secular fairs, devoted exclusively to trade with no religious content of any kind, were suppressed. However, once China embarked on its path of free market reform and openness, secular commodity exchange fairs were again authorized, and sometimes encouraged in the name of political economy as a means of stimulating rural commodity circulation and commerce. This book reveals how once these secular "...
During the early communist period of the 1950s, temple fairs in China were suppressed, however, once China embarked on its path of free market reform secular commodity exchange fairs were again authorized, and sometimes encouraged as a means of stimulating rural commerce. This book reveals how once these secular "temple-less temple fairs" were in place, they came to serve not only as venues for the proliferation of popular cultural performance genres, but also as sites for the revival of popular religious symbols. Examining its economic, popular cultural, popular religious and political dimensions this book presents a comprehensive analysis of the temple fair phenomenon.
Central nervous system (CNS) diseases, such as stroke, Parkinson’s disease, vascular dementia, Alzheimer’s disease, multiple sclerosis, bulbar palsy, spinal cord injury, traumatic brain injury, brain tumor, cerebral palsy, headache, migraine, epilepsy, depression, anxiety, etc., involve complex neural mechanism, and seriously affect quality of life and threaten life safety in patients with these disorders. Multiple neural techniques, such as functional magnetic resonance imaging, positron emission tomography, electroencephalography, etc., provide powerful tools for uncovering complex networks of neural mechanism and exploring key potential biomarkers to reveal the underlying neural feature of those disorders.
The Question of Women in Chinese Feminism is a history of thinking about the subject of women in twentieth-century China. Tani E. Barlow illustrates the theories and conceptual categories that Enlightenment Chinese intellectuals have developed to describe the collectivity of women. Demonstrating how generations of these theorists have engaged with international debates over eugenics, gender, sexuality, and the psyche, Barlow argues that as an Enlightenment project, feminist debate in China is at once Chinese and international. She reads social theory, psychoanalytic thought, literary criticism, ethics, and revolutionary political ideologies to illustrate the range and scope of Chinese feminist theory’s preoccupation with the problem of gender inequality. She reveals how, throughout the cataclysms of colonial modernity, revolutionary modernization, and market socialism, prominent Chinese feminists have gathered up the remainders of the past and formed them into social and ethical arguments, categories, and political positions, ceaselessly reshaping progressive Enlightenment sexual liberation theory.
Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong. Cinema and Desire presents Dai Jinhau's best work to date. In it she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqin's Human, Woman, Demon as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s' urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.
Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.” Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.
A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and literary history. Drawing on feminist literary criticism and the theories of Julia Kristeva, Melanie Klein, and Sigmund Freud, Lieberman breaks traditional analytical boundaries as she explores the place of the mother in the ideological struggles through which the modern Chinese canon attained its present shape.