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Classical Reception
In a time of acute crisis when our societies face a complex series of challenges (race, gender, inclusivity, changing pedagogical needs and a global pandemic) we urgently need to re-access the nature of our engagement with the Classical World. This edited collection argues that we need to discover new ways to draw on our discipline and the material it studies to engage in meaningful ways with these new academic and societal challenges. The chapters included in the collection interrogate the very processes of reception and continue the work of destabilising the concept of a pure source text or point of origin. Our aim is to break through the boundaries that still divide our ancient texts and ...
Atlas of Egyptian Mummies in the Czech Collections II: Non-Adult Human Mummies
Ancient Egyptian mummies and their funerary equipment are an invaluable source of information not only on the Egyptians’ perception of death, but more importantly on their lives – diseases and traumas they suffered from, activities they carried out, their family relations, and more.The present volume, second in the series of Atlas of Egyptian Mummies in the Czech Collections, is dedicated to mummies and funerary containers of non-adults aged 15 and younger. Two complete mummies, twelve isolated parts from ten individuals, and six funerary containers were introduced in a detailed catalogue, along with their respective provenances, and brief excursions into the health and disease of ancien...
The Miloš Forman Stories (Routledge Revivals)
First published in 1975, this book examines the career of one of the leading post-war Czech filmmakers Miloš Forman through his own testimony. After recollecting his childhood and early artistic ventures, Forman gives accounts of the making of his major films, interspersed with contemporaneous reviews by the author, and in the final chapter he sums up his ‘lessons along the way’. A section entitled ‘Stories behind the Stories’ fills in details on the events and people mentioned in Forman’s narrative. The author’s commentary provides valuable insights not only into the aesthetics of filmmaking but also the social and political environment in contemporary Czechoslovakia.
On Referring in Literature
What is the relationship between the "real" world and fictional constructs? How is referential illusion created? The purpose of this volume is to show the close links between reference and interpretation. It examines types of literary reference, showing what it is and how it works.
Trial by Theatre
The motto Národ sobě – “From the Nation to Itself” – inscribed over the proscenium arch of Prague’s National Theatre symbolizes the importance theatre holds for the Czechs. During the National Awakening of the 19th century, theatre took the place of politics, becoming an instrument of national identity in the hands of the revivalists. In what was then part of a German-speaking empire, the Czechs devised a complex and evocative theatre language made up of allegory, allusion, juxtaposition, games, wordplay, legend, history, illusion and music. A sophisticated avant-garde theatre flowered in Czechoslovakia between the wars, and became a symbol of independence during the Nazi occupat...
The Semiotic Stage
The Semiotic Stage provides the first comprehensive summary of the writings that founded contemporary theater semiotics. The Prague School theater writings are placed in their theoretical context, and integrated in relation to major artistic areas like acting, design and dramatic writing. The influence of the Prague School and its relation to the current state of theater study are also thoroughly discussed.
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Theatre Theory Reader: Prague School Writings
This is precisely the book I have been looking out for ever since working at my Das Drama. Theorie und Analyse (1977; The Theory and Analysis of Drama, 1988), and discovering from a few specimens the incisive usefulness and importance of Prague School theatre semiotics. There is everything one could possibly wish for in this monumental Theatre Theory Reader: Prague School Writings: all the by now canonical texts and many others presented for the first time in English, arranged in a systematic order which fully renders the sense of the scope and development of Czech theatre semiotics, and all of them in highly competent translations aware of the terminological complexities at stake and suppor...
Languages of the Stage
"This volume should be read by those interested in both theatre and interpretive strategies, semiological and otherwise." -- "Modern Language Notes"In "Languages of the Stage," Patrice Pavis explores the questions of semiology in both classical and contemporary drama, ranging widely over the works of the ancient Greeks, Marivaux, Artaud, Brecht, Brook, Handke, and Wilson.
