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Yáng Jì Zhōu's the Great Compendium of Acupuncture and Moxibustion
"The Great Compendium of Acupuncture and Moxibustion" by Yang Ji Zhou is an encyclopedic Ming dynasty work on Acupuncture and Moxibustion. The text covers the details of using various point categories and the confluence points of the eight extraordinary vessels.
The Golden Needle
This is the only known translation of part of an early 17th-century classic text focusing on the use of acupuncture in Chinese medicine. Yang Jizhou's Grand Compendium comprises two books of which the second contained The Odes, a collection of traditional songs summarizing methods of treatment and indications for their use. In this translation Richard Bertshinger has also included Ma Tan Yang's Song on the Twelve Points. Various indices, a bibliography and glossary have been added to help the modern reader to understand the relevant of The Odes in today's context. The book is illustrated throughout with Chinese landscape paintings and traditional patterns from time of the gathering of The Odes.
Hanyu jiaocheng
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Nine Yin and nine Yang magic
The four great families are Kong family, Hua family, Gongbo family and Qin family. Hua Tuo was the ancestor of the Chinese family, and most of them were skilled doctors, while all hospitals in China are now under the control of the Chinese family. The ancestor of the Gongbo family was the Gongbo class, and the family inherited all the skills of the Gongbo class. All kinds of manufacturing and construction industries in Huaxia were basically in the hands of the Gongbo family. It is said that the ancestor of the Qin family was the Emperor Qin, and the family members occupied an important position in the military and political departments of Huaxia. Among the four families, the most profound one is the Confucius family, because the ancestor of the Confucius family is the sage of Confucius
Hanyu jiaocheng
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Drifting among Rivers and Lakes
What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shipoetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation. Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) pro...
Hanyu jiaocheng
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Chinese Course 2
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