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The first international Csound conference, held at the Hanover University of Music, Drama and Media (HMTMH) between 30th September and 2nd October 2011, marked the first time that the principal people involved with Csound – in existence since 1986 – met in person. This book documents not only the proceedings of this conference through its inclusion of the featured papers, workshop descriptions and round table summaries, but also includes interviews with developers and musicians, along with several new articles written exclusively for this publication. Reflecting the diversity of contributions to the Csound project that conference attendees brought, this book is organised into five main parts entitled “History”, “Development”, “Music”, “Usage” and “Education”.
The book provides an up to date and authoritative account of how the UN is re[1]thinking its obligations to protect civilians during conflicts. Based on hundreds of interviews with senior UN officials and humanitarian protection staff in headquarters and in the field and a review of the UN ́s ́grey literature ́. It also draws on the author ́s own experience of working on human rights and protection in some of the world ́s most violent conflicts. It is written not about what the UN ought to do – or how it could have behaved differently in an abstract or theoretically ideal world – but what the UN is actually doing to fulfil the fundamental purposes set forth in its Charter.
This rigorous book is a complete and up-to-date reference for the Csound system from the perspective of its main developers and power users. It explains the system, including the basic modes of operation and its programming language; it explores the many ways users can interact with the system, including the latest features; and it describes key applications such as instrument design, signal processing, and creative electronic music composition. The Csound system has been adopted by many educational institutions as part of their undergraduate and graduate teaching programs, and it is used by practitioners worldwide. This book is suitable for students, lecturers, composers, sound designers, programmers, and researchers in the areas of music, sound, and audio signal processing.
"Proceedings of the fifth Kobe lectures, Tokyo and Kyoto, December 1998."--T.p.
Appendix C: UN Security Council and General Assembly Resolutions and Presidential Statements -- UN Security Council Resolutions -- UN General Assembly Resolutions -- UN Security Council Meetings and Presidential Statements -- Bibliography -- Books -- Academic Articles and Opinion -- Index
An account of the ups and downs of a six-month-long WWII campaign with “a well detailed chronological order of the battles [and] interesting photographs” (Armorama). A selection of the Military Book Club. Following the Allied breakout from the Normandy beachhead in July 1944, the vaunted German Army seemed on the verge of collapse. As British and US forces fanned out across northwestern France, enemy resistance unexpectedly dissolved into a headlong retreat to the German and Belgian borders. In early September, an elated Allied High Command had every expectation of continuing their momentum to cripple the enemy’s warmaking capability by capturing the Ruhr industrial complex and plungin...
Processing audio in the spectral domain has become a practical proposition for a variety of applications in computer music, composition, and sound design, making it an area of significant interest for musicians, programmers, sound designers, and researchers. While spectral processing has beenexplored already from a variety of perspectives, previous approaches tended to be piecemeal: some dealt with signal processing details, others with a high-level music technology discussion of techniques, some more compositionally focused, and others at music/audio programming concerns. As authorVictor Lazzarini argues, the existing literature has made a good footprint in the area but has failed to integr...
This book is divided into two parts. The chapters in Part I offer a comprehensive introduction to the C language and to fundamental programming concepts, followed by an explanation of realtime audio programming, including audio synthesis and processing. The chapters in Part II demonstrate how the object-oriented programming paradigm is useful in the modelling of computer music instruments, each chapter shows a set of instrument components that are paired with key C++ programming concepts. Ultimately the author discusses the development of a fully-fledged object-oriented library. Together with its companion volume, Computer Music Instruments: Foundations, Design and Development, this book pro...
In the popular imagination, space is the final frontier. Will that frontier be a wild west, or will it instead be treated as the oceans are: as a global commons, where commerce is allowed to flourish and no one country dominates? At this moment, nations are free to send missions to Mars or launch space stations. Space satellites are vital to many of the activities that have become part of our daily lives—from weather forecasting to GPS and satellite radio. The militaries of the United States and a host of other nations have also made space a critical arena—spy and communication satellites are essential to their operations. Beginning with the Reagan administration and its attempt to creat...
The Politics of Belonging represents an innovative collaboration between political theorists and political scientists for the purposes of investigating the liberal and pluralistic traditions of nationalism. Alain Dieckhoff introduces an indispensable collection of work for anyone dealing with questions of identity, ethnicity, and nationalism.