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Clara Schumann, a Dedicated Spirit
  • Language: en
  • Pages: 272

Clara Schumann, a Dedicated Spirit

  • Type: Book
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  • Published: 1983
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  • Publisher: Crescendo

About the life of Clara Schumann with emphasis on her musical development, illustrated with examples of musical notations. Clara Weick Schumann.

Schumann
  • Language: en
  • Pages: 292

Schumann

  • Type: Book
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  • Published: 1962
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  • Publisher: Unknown

None

Chopin
  • Language: en
  • Pages: 108

Chopin

  • Type: Book
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  • Published: 1965
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  • Publisher: Unknown

A biography of Chopin from his childhood in Poland to his death at the age of 39, based largely on his letters and the writings of George Sand. Includes piano music for 13 of his compositions.

Oxford Dictionary of National Biography 2005-2008
  • Language: en
  • Pages: 1253

Oxford Dictionary of National Biography 2005-2008

This book, drawn from the award-winning online Oxford Dictionary of National Biography, tells the story of our recent past through the lives of those who shaped national life.

Ralph Vaughan Williams and Adrian Boult
  • Language: en
  • Pages: 331

Ralph Vaughan Williams and Adrian Boult

The first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983).

Two Centuries of British Symphonism
  • Language: en
  • Pages: 619

Two Centuries of British Symphonism

Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schw...

The Illustrated Lives of the Great Composers: Schumann
  • Language: en
  • Pages: 144

The Illustrated Lives of the Great Composers: Schumann

This series of biographies presents the great composers against the background of their times. Each draws on personal letters and recollections, engravings, paintings and, when they exist, photographs, to present a complete picture of the composer's life.

Goethe, Musical Poet, Musical Catalyst
  • Language: en
  • Pages: 414

Goethe, Musical Poet, Musical Catalyst

  • Type: Book
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  • Published: 2004
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  • Publisher: Peter Lang

Proceedings of international conference at NUI Maynooth on Goethe's contribution to music. Goethe was interested in, and acutely aware of, the place of music in human experience generally - and of its particular role in modern culture. Moreover, his own literary work - especially the poetry and Faust - inspired some of the major composers of the European tradition to produce some of their finest works.' (Martin Swales) [Subject: Music Studies, Goethe]

Inside Early Music
  • Language: en
  • Pages: 432

Inside Early Music

The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important a...

Sounds As They Are
  • Language: en
  • Pages: 297

Sounds As They Are

In Sounds as They Are, author Richard Beaudoin recognizes the often-overlooked sounds made by the bodies of performers and their recording equipment as music and analyzes these sounds using a bold new theory of inclusive track analysis (ITA). In doing so, he demonstrates new expressive, interpretive, and embodied possibilities and also uncovers insidious inequalities across music studies and the recording industry, including the silencing of certain sounds along lines of gender and race.