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Catalogue produced to accompany the exhibition BRUSHING THE PRESENT: CONTEMPORARY ACADEMY PAINTING FROM CHINA held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, from October 16 - December 31, 2003.Includes essays by Doretta M. Miller and Joan Lebold Cohen.
"That Julia Andrews has reached sources that are so sensitive and difficult with such success is remarkable. The book is unquestionably a brilliant job, well-written, understandable, and of enormous scholarly value."--Joan Lebold Cohen, author of The New Chinese Painting
Walter Judd : Cold War crusader -- Clarence Adams & Morris Wills : searching for utopia -- Joan Hinton & Sid Engst : true believers -- Chen-ning Yang : science and patriotism -- J. Stapleton Roy : art of diplomacy -- Jerome & Joan Cohen : charting new frontiers -- Elizabeth Perry : legacy of protest -- Shirley Young : joint ventures -- John Kamm : negotiating human rights -- Melinda Liu : reporting the China story.
This monograph arose from thinking about the literary tradition as described by the Anglo-American modernist writers Ezra Pound and T. S. Eliot. In their view, the tradition of European love-lyrics crystallized in the work of the medieval Occitan troubadours, who represented the cultural and political milieu of the Occitanie of that period and whose work reflected the religious influences of Judaism, Christianity, and Islam. The main subject of their poetry was the worship of a divinized feminine character resembling the Virgin Mary, the Gnostic Sophia, or the ancient Mother Goddess. Their literary preoccupations further flourished in Tuscany, as well as among the German Minnesängers, and a...
With its coverage of environmental issues, global economics, online communications, and the latest political developments, the five-volume Berkshire Encyclopedia of China is truly a 21st-century work. While these volumes include many articles about China's earliest history, the Encyclopedia of China is focused on the events, concepts, and people that matter today.
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This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, de...