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Joana Hadjithomas, Khalil Joreige
The Lebanese video artists, documentarians and photographers Joana Hadjithomas and Khalil Joreige have been a duo since the 1990s, making works that address the turbulent history of their homeland. This monograph surveys the duo's projects, including their most recent series of installations and research on the now defunct Lebanese space exploration program.
Joana Hadjithomas, Khalil Joreige
Since the mid-1990s, Lebanese artists Joana Hadjithomas and Khalil Joreige have worked together in the visual arts and cinema, shooting documentaries and fiction such as I Want To See, starring Catherine Deneuve and Rabih Mroué and screened at the Cannes Festival in 2008.Their practice in both fields is imbued with a distinctive aesthetic that occupies spheres of the visible and the fictional, nourishing a fascinating back and forth between life and fiction. Investigative processes, excavation, and the representations of historic, social, cultural, and political factors are at the heart of their practice.Following the duo's different bodies of work since the early psycho-geographic mapping of Beirut to the recent projects gathered together under the title Lebanese Rocket Society, this book is the first monograph dedicated to the artists.
Encyclopedia of Arab Women Filmmakers
Arab women filmmakers: Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts - and constraints - of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries - Egypt, Iraq, Lebanon, Syria, Algeria, among others - from which these artists emerged. In addition to the biographies, filmographies, and discussions of their most import...
Precarious Imaginaries of Beirut
This book investigates a shared experience of time and space in the post-civil-war city of Beirut: “the suspended now”. Based on the close analysis of a large corpus of cultural objects; including visual art, literature, architecture and cinema; the book argues that last decades have witnessed a gradual shift in understanding this temporality from being a transitional phase to a more durable experience of precariousness. The theoretically rich analyses take us on a journey through Beirut’s real and imagined geographies, from garbage dumps to real estate advertisements, and from subterranean spaces to martyr’s posters. For scholars of cultural analysis, urban studies, cultural geography and critical theory, the case of post-1990 Beirut offers a fascinating case of neoliberal urban renewal, which challenges existing theories. For scholars of Lebanon and Beirut, this study complements existing work on post-civil-war Lebanese cultural production rooted in trauma studies by its focus on the city’s continual exposure to violence.
The Social Life of Memory
This edited volume addresses memory practices among youth, families, cultural workers, activists, and engaged citizens in Lebanon and Morocco. In making a claim for ‘the social life of memory,’ the introduction discusses a particular research field of memory studies, elaborating an approach to memory in terms of social production and engagement. The Arab Spring is evoked to draw attention to new rifts within and between history and remembrance in the regions of North Africa and the Middle East. As authoritarian forms of governance are challenged, official panoramic narratives are confronted with a multiplicity of memories of violent pasts. The eight chapters trace personal and public inventories of violence, trauma, and testimony, addressing memory in cinema, in newspapers and periodicals, as an experience of public environments, through transnational and diasporic mediums, and amongst younger generations.
Out of Beirut
Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift change. In that time, Beirut became fertile ground for radical and innovative art-making and critical thought. "Out of Beirut" introduces new and recent work by artists who have been at the forefront of that activity, and who, in this new time of turmoil and change, will be watching Beirut's fate closely, chronicling it, and perhaps by their responses, changing it. With work by Fadi Abdallah, Gilbert Hage, Heartland, Bernard Khoury, Rabib Mroue, Walid Raad, Walid Sadek, Jalal Toufic, Paola Yacoub and Michel Lasserre and Akram Zaatari, among others.
Hanan al-Cinema
An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times. In this book, Laura Marks examines one of the world's most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works' creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention. Grounded in a study of infrastructures for indepen...
Tania El Khoury's Live Art
Tania El Khoury’s Live Art is the first book to examine the work of Tania El Khoury, a “live” artist deeply engaged in the politics and histories of the South West Asia and North Africa (SWANA) region. Since the 2011 Syrian uprisings, El Khoury has conceived and created works about lived experiences at and across international borders in collaboration with migrants, refugees, and displaced persons as well as other artists, performers, and revolutionaries. All of El Khoury’s works cross borders: between forms of artistic practice, between artists and audiences, and between art and activism. Facilitating critical dialogue about the politics of SWANA and the impact of globalization, her performances and installations also test the boundaries of aesthetic, political, and everyday norms. This interdisciplinary and multimedia reader features essays by artists, curators, and scholars who explore the dynamic possibilities and complexities of El Khoury’s art. From social workers to archeologists to archivists, contributing authors engage with the radical epistemological and political revolutions that El Khoury and her collaborators invite us all to join.
