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A thoroughly researched and documented study of Catalan literature under the Franco regime, focussed on several key post-Civil War novels and their authors. During the 1950s and 1960s, several key Catalan authors set about rewriting some of their narrative work despite the obstacles to publication in Catalan under the Franco regime. This study describes the social, political and cultural conditions that impelled Salvador Espriu, Xavier Benguerel, Sebastià Juan Arbó and Joan Sales to revise Laia, El testament, Tino Costa and Incerta glòria, concentrating particularly on the linguistic debates and literary trends from the 1950s to the early 1970s. Drawing on a wide range of theoretical pers...
This book studies the emergence, in the late 1960s and 1970s, of a sophisticated body of gay fiction in Catalan, and examines the relation between the representation of homosexuality and the discourses on national identity that legitimate modern Catalan literature. Gay fiction, argues the author, reveals a tension between the nation and the body in Catalan literature: Catalonia is a nation different from Spain, a cultural and political minority within Europe; but the existence of sexual minorities within its boundaries reveals its inner complexity, which resists homogenization. Catalonia is another country in more ways than one. Drawing on a variety of critical discourses (gay theory, psycho...
This bilingual collection of both Maragall's poetry and prose has been edited and translated by Ronald Puppo, a research fellow and translator at the University of Vic. His keen eye and expertise on Maragall comes across in droves as he takes what are arguably Catalan literatures finest moments and turns them into eminently readable and enjoyable English language poems. Also included in this collection are some of Maragall's pieces of prose work and personal letters that shed light onto the man himself. Accompanying all this are Puppo's own indepth comments and insights
This study explores the interaction of language, culture and identity in contemporary Catalonia and rejects the exclusion of Castilian as a language capable of expressing 'Catalan-ness'. This study, charting the construction of a Catalan identity from the nineteenth-century cultural renaissance until the present day, explores the interaction of language, culture and identity in contemporary Catalonia. Drawing on postcolonial and multicultural literary theories, it argues that Castilian- and Catalan-language narratives are expressions of the same culture. Through detailed analyses of texts by Terenci Moix, Francisco Candel, Ignasi Riera, Montserrat Roig, Juan Marsé, Ramon Pallicé, and Manue...
This bibliography, listed alphabetically by authors of books and articles on Mercè Rodoreda, offers a detailed description of the content of more than two hundred studies on her work. In addition to Rodoreda’s narrative, the last decade has seen many more studies of her theater, poetry, painting, and early journalism. Also included is a comprehensive listing of editions and translations, as well as an index. The intention is to analyze and diffuse the great body of academic production on this worldwide representative of Catalan culture, with the hope that future studies can profit by a reading of pertinent existing scholarship on the subject. There are various kinds of publications, from ...
For hundreds of years, Barcelona and Madrid have shared a deep rivalry. Throughout history, they have competed in practically every aspect of social life, sport, politics, and culture. While competition between cities is commonplace in many nations around the world, in the case of Barcelona and Madrid it has been, on occasion, excessively antagonistic. Over time they have each tried to demonstrate that one was more modern than the other, or more avant-garde, or richer, or more athletic, and so on. Fortunately, the Spain of today is a democracy and every nation and region of the State has the liberty to act. As such, the rivalry between these two capitals has become productive not only for th...
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Setè volum de les Obres de Jordi Rubió i Balaguer, que aplega un seguit de treballs sobre el segle XIX, de gran interès per als historiadors, per als historiadors de la literatura i per als qui vulguin conèixer la finor d’esperit de Jordi Rubió i la manera com es va iniciar en el moviment espiritual de Catalunya i com en vivia i n’interpretava les vicissituds.
Little attention has been paid to Merce Rodoreda (1908-1983) as a modernist writer. This study addresses the relationship of her production with Catalan, Spanish, and European modernism. Foregrounded is Rodoreda's negotiation of the overlapping subjects of gender, class, modes of representation, and national identities. In the first three chapters her pre-Civil War novels Soc una dona honrada?, Un dia de la vida d'un home, and Del que hom no pot fugir are read against key Catalan texts, particularly Eugeni d'Ors', to emphasize debates surrounding modernist aesthetics and models of Catalan national identity. The modernist preoccupation with high versus low literature is developed in Aloma, while El carrer de les Camelies reconfigures the flaneur vis-a-vis the female writer's positioning in the modernist enterprise. The modernist debt to realism and the revindication of early Catalan modernism in the 1970s are examined in Mirall trencat. Christine Arkinstall is a Senior Lecturer in Spanish at The University of Auckland.