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Another Country
This book studies the emergence, in the late 1960s and 1970s, of a sophisticated body of gay fiction in Catalan, and examines the relation between the representation of homosexuality and the discourses on national identity that legitimate modern Catalan literature. Gay fiction, argues the author, reveals a tension between the nation and the body in Catalan literature: Catalonia is a nation different from Spain, a cultural and political minority within Europe; but the existence of sexual minorities within its boundaries reveals its inner complexity, which resists homogenization. Catalonia is another country in more ways than one. Drawing on a variety of critical discourses (gay theory, psycho...
The Other Catalans
The first book to explore how Catalan literature has depicted the social and cultural consequences of immigration in the twentieth century. Catalonia has for centuries been a destination for immigrants: first from neighboring regions, then from all over Spain, and in the last twenty-five years from the whole world. Currently, sixteen percent of the Catalan population was born outside Spain, and well over seventy-five percent of Catalans have a migrant origin. Yet the Catalans see themselves as a distinct society, and many of them are claiming political self-determination. Surveying the 1930s to the present, The Other Catalans provides a comprehensive examination of Catalan literature on immi...
El malestar en la cultura catalana
El malestar en la cultura catalana té la gran virtut de resituar amb uns termes nous un debat estancat que sovint s'ha vist viciat pel victimisme o el partidisme de poca volada. Amb el rigor intel·lectual que li és propi i la distància que li dóna haver observat la cultura catalana des de la universitat britànica durant gairebé dues dècades, Josep-Anton Fernàndez respon a una qüestió urgent (Què significa ser català avui?) amb idees noves i exemples originals provinents tant de la literatura com del cinema i la televisió. La construcció d'un espai cultural català ha estat un element central de la política cultural a Catalunya en els últims vint-i-cinc anys, un procés que a...
White Gypsies
Reveals how Spanish film musicals, long dismissed as unworthy of critical scrutiny, illuminate Spain's relationship to modernity
Barcelona's Vocation of Modernity
Since the closing decades of the nineteenth century, Barcelona has striven to sustain an image of modernity that distinguishes itself within Spain. Barcelona's Vocation of Modernity traces the development of that image through texts that foreground key social and historical issues. It begins with Barcelona's "coming of age" in the 1888 Universal Exposition and focuses on the first major narrative work of modern Catalan literature, La febre d'or. Positing an inextricable link between literature and modernity, Resina establishes a literary framework for the evolution of the image of Barcelona's modernity through the 1980s, when the consciousness of modernity took on an ironic circularity. Because the city is an aggregation of knowledge, Resina draws from sociology, urban studies, sociolinguistics, history, psychoanalysis, and literary history to produce a complex account of Barcelona's self-reflection through culture. The last chapter offers a glimpse into the "post-historical" city, where temporality has been sacrificed to the spatialization associated with the seductions of the spectacle.
Crusaders, Condottieri, and Cannon
This collection of eighteen essays focuses on various phases of warfare around the medieval Mediterranean. Topics of these essays range from crusading activity to the increasing use of mercenaries to the spread of gunpowder weaponry.
War, Government, and Society in the Medieval Crown of Aragon
The focus of this collection of articles by Donald J. Kagay is the effect of the expansion of royal government on the societies of the medieval Crown of Aragon. He traces how, in the long conflicts against Spanish Islam and neighbouring Christian states during the 13th and 14th centuries, the relationships of royal to customary law, of monarchical to aristocratic power, and of Christian to Jewish and Muslim populations, all became issues that marked the transition of the medieval Crown of Aragon to the early modern states of Catalonia, Aragon and Valencia.
Crusaders, Condottieri, and Cannon
This volume consists of the work of eighteen established and younger scholars and focuses on the Mediterranean as a military arena during the Middle Ages. The essays center on several pillars of Mediterranean warfare: the crusading movement including the Spanish reconquista, the development of gunpowder weaponry, the widespread use of mercenaries, and warfare as understood by the lawcodes and intellectuals of the period. A number of articles in this collection present new answers to old historiographical questions.
Beyond Sketches of Spain
"At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
Queer Transitions in Contemporary Spanish Culture
Gema Pérez-Sánchez argues that the process of political and cultural transition from dictatorship to democracy in Spain can be read allegorically as a shift from a dictatorship that followed a self-loathing "homosexual" model to a democracy that identified as a pluralized "queer" body. Focusing on the urban cultural phenomenon of la movida, she offers a sustained analysis of high queer culture, as represented by novels, along with an examination of low queer culture, as represented by comic books and films. Pérez-Sánchez shows that urban queer culture played a defining role in the cultural and political processes that helped to move Spain from a premodern, fascist military dictatorship to a late-capitalist, parliamentary democracy. The book highlights the contributions of women writers Ana María Moix and Cristina Peri Rossi, as well as comic book artists Ana Juan, Victoria Martos, Ana Miralles, and Asun Balzola. Its attention to women's cultural production functions as a counterpoint to its analysis of the works of such male writers as Juan Goytisolo and Eduardo Mendicutti, comic book artists Nazario, Rubén, and Luis Pérez Ortiz, and filmmaker Pedro Almodóvar.
