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Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
The second-largest Latino-immigrant group in Los Angeles after Mexicans, Central Americans have become a remarkable presence in city neighborhoods, with colorful festivals, flags adorning cars, community organizations, as well as vibrant ethnic businesses. The people from Belize, Guatemala, El Salvador, Honduras, Nicaragua, Costa Rica, and Panama living in Los Angeles share many cultural and historical commonalities, such as language, politics, religion, and perilous migratory paths as well as future challenges. The distinctions are also evident as ethnicities, music, and food create a healthy diversity throughout residential locations in Los Angeles. During the 1980s and 1990s, an unprecedented number of new Central Americans arrived in this cosmopolitan city, many for economic reasons while others were escaping political turmoil in their native countries. Today they are part of the ethnic layers that shape the local population. Central Americans have embraced Los Angeles as home and, in doing so, transported their rich heritage and customs to the streets of this multicultural metropolis.
This study challenges the common view that extrajudicial executions in Republican Spain in July 1936 were the work of criminal or anarchist 'uncontrollables'.
This volume seeks to disentangle the limits and possibilities of the tradition of civil disobedience: in what circumstances is it right, or perhaps necessary, to say "no"? The jurisprudential and philosophical literature discussed here is truly enormous and provides a complex and reliable overview of the main problems.
This volume is a collection of cutting-edge research papers written by well-known researchers in the field of Romance phonetics and phonology. An important goal of this book is to bridge the gap between traditional Romance linguistics with its long and rich tradition in data collection, cross-language comparison, and phonetic variation and laboratory phonology work. The book is organized around three main themes: segmental processes, prosody, and the acquisition of segments and prosody. The various articles provide new empirical data on production, perception, sound change, first and second language learning, rhythm and intonation, presenting a state-of-the-art overview of research in laboratory phonology centred on Romance languages. The Romance data are used to test the predictions of a number of theoretical frameworks such as gestural phonology, exemplar models, generative phonology and optimality theory. The book will constitute a useful companion volume for phoneticians, phonologists and researchers investigating sound structure in Romance languages, and will serve to generate further interest in laboratory phonology.
"This is not just another book: it is a major achievement."—Eric R. Wolf, author of Europe and the People Without History
The first global history of the secret diplomatic and police campaign against anarchist terrorism from 1880 to the 1920s.
This work contains the updated papers presented at the Conference "How Did They Become Voters? The History of Franchise in Modern European Representational Systems", which was organized under the auspices of the European University Institute and held on 20-22 April 1995 in Florence. It examines the basic mechanisms regulating electoral processes in many countries, both in Europe and the rest of the world, in the 19th and 20th centuries.