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The Rigveda is a monumental text in both world religion and world literature, yet outside a small band of specialists it is little known. Composed in the latter half of the second millennium BCE, it stands as the foundational text of what would later be called Hinduism. The text consists of over a thousand hymns dedicated to various divinities, composed in sophisticated and often enigmatic verse. This concise guide from two of the Rigveda's leading English-language scholars introduces the text and breaks down its large range of topics--from meditations on cosmic enigmas to penetrating reflections on the ability of mortals to make contact with and affect the divine and cosmic realms through sacrifice and praise--for a wider audience.
The Rigveda is the oldest Sanskrit text, consisting of over one thousand hymns dedicated to various divinities of the Vedic tradition. Orally composed and orally transmitted for several millennia, the hymns display remarkable poetic complexity and religious sophistication. As the culmination of the long tradition of Indo-Iranian oral-formulaic praise poetry and the first monument of specifically Indian religiosity and literature, the Rigveda is crucial to the understanding both of Indo-European and Indo-Iranian cultural prehistory and of later Indian religious history and high literature. This new translation represents the first complete scholarly translation into English in over a century and utilizes the results of the intense research of the last century on the language and the ritual system of the text. The focus of this translation is on the poetic techniques and structures utilized by the bards and on the ways that the poetry intersects with and dynamically expresses the ritual underpinnings of the text.
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Biblical scholars frequently attempt to contextualize the Priestly ritual corpus by comparing it to other ancient Near Eastern ritual traditions. This comparative approach tends to detect a hidden polemic at work in the Priestly Source (P) which was meant to highlight its distinctly monotheistic outlook. Isabel Cranz reframes current understandings of P by comparing Priestly rituals of atonement to their Assyro-Babylonian counterparts. In this way she shows how the Priestly ritual corpus is highly specialized and concerns itself primarily with sanctuary maintenance. Viewing P in this new light in turn helps to demonstrate that the authors of P were not interested in discrediting foreign rituals or pushing a monotheistic agenda. Instead P primarily aimed to confirm the Aaronide priests as the only legitimate priestly group fit for service at the altar. Subsequently if a polemical agenda is present in P it can be shown to be directed against rivals and critics of the Aaronide priesthood, not other rituals of the ancient Near East.
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The Upani?ads are rich and complex Sanskrit Hindu scriptures dating back to the 8th century BCE and are a staple of world religion courses across the globe. In this volume, Signe Cohen guide readers through on the thirteen "Classical Upani?ads," those generally regarded as the oldest: Bhadrayaka, Chandogya, Taittiriya, Aitareya, Isa, Kena, Katha, Mundaka, Svetasvatara, Mandukya, Prasna, Kausitaki, and Maitri Upanisad. Where most survey textbooks present a cursory overview of these texts, The Classical Upani?ads: A Guide provides a nuanced but accessible exploration of the Upani?ads that will benefit both scholars, students, and general readers alike. This volume explores the historical, geog...
The vanished world of India’s late-colonial theatre provides the backdrop for the autobiographies in this book. The life-stories of a quartet of early Indian actors and poet-playwrights are here translated into English for the first time. These men were schooled not in the classroom but in large theatrical companies run by Parsi entrepreneurs. Their memoirs, replete with anecdote and humor, are as significant to the understanding of the nationalist era as the lives of political leaders or social reformers.
The Oxford Handbook of Indian Philosophy tells the story of philosophy in India through a series of exceptional individual acts of philosophical virtuosity. It brings together forty leading international scholars to record the diverse figures, movements, and approaches that constitute philosophy in the geographical region of the Indian subcontinent, a region sometimes nowadays designated South Asia. The volume aims to be ecumenical, drawing from different locales, languages, and literary cultures, inclusive of dissenters, heretics and sceptics, of philosophical ideas in thinkers not themselves primarily philosophers, and reflecting India's north-western borders with the Persianate and Arabic...
This book takes a fresh look at the relationship between aspect, tense and mood in Early Vedic, the language of the Rigveda. Although numerous studies have examined the functional range of individual verbal categories in this language, this work is the first attempt to approach this problem from an overall, systemic perspective. With insights from formal semantics and linguistic typology, the author demonstrates that aspect represents a grammatically relevant semantic dimension on a par with tense in the Early Vedic verbal system, thereby indicating that the language has preserved an aspectual opposition similar to the one found in Homeric Greek. Apart from these general findings, the book provides a theoretical framework designed for exploring inflectional semantics in dead languages.
This volume brings together sixteen articles on the religions, literatures and histories of South and Central Asia in tribute to Patrick Olivelle, one of North America’s leading Sanskritists and historians of early India. Over the last four decades, the focus of his scholarship has been on the ascetic and legal traditions of India, but his work as both a researcher and a teacher extends beyond early Indian religion and literature. ‘Religion and Identity and South Asia and Beyond’ is a testament to that influence. The contributions in this volume, many by former students of Olivelle, are committed to linguistic and historical rigor, combined with sensitivity to how the study of Asia has been changing over the last several decades.